Star Trek, Soccer, and Ancient Persian Kings

From the opening pages of Adib Khorram’s brilliant debut Darius the Great is Not Okay, it is painfully clear how much truth there is in the title. Darius Kellner, the sweet and immediately endearing teenage narrator, is struggling. For starters, Darius is a target at school. His taste in pop culture gravitates towards the nerdy, he is somewhat obsessed with tea (provided it is properly brewed and unsweetened), his medication makes him gain weight, and he is half-Persian, exposing him to the lamest and cruelest Islamophobic taunts the bullies at school can concoct.

Darius-the-Great-Is-Not-OkayIf these problem aren’t enough, Darius is also feeling isolated from his family. His mother’s side lives in Iran and while his mom and little sister speak Farsi, Darius’s language skills are undeveloped. Whenever they gather around the computer for a video chat, Darius can’t help but feel like an outsider. He also fears that he perpetually disappoints his father. Darius seems to have inherited very little from him: not his fair all-American looks, his math skills, nor his ability to blend-in and “be normal.” They only have two things in common, clinical depression and a love for Star Trek. As the gulf between father and son widens, Darius sadly reasons that his younger sister is his replacement – a chance for his parents to get things right.

When his grandfather’s health takes a turn for the worse, Darius’s parents decide it is time to travel to Iran and meet his mother’s family. Darius is apprehensive about this trip but also eager to discover connections to his family and his people’s history.  In Yazd, the city his family calls home, Darius continues to struggle to find acceptance. His grandfather and uncles tease him about his weight and are puzzled that a healthy young American boy would need medication (antidepressants) to be happy. In Yazd, Darius also makes a friend, perhaps his first best friend, a teen named Sohrab who lives down the street. Sohrab has had his own struggles with intolerance and oppression and he seems to understand Darius and embrace his individuality. His friendship with Sohrab allows Darius to see himself in a new light – as someone who might belong. But he is aware that their time together is running short and he must figure out how to reconcile the version of Darius he has discovered in Iran with the life waiting for him at home.

This is a special book on several levels. Khorram notes in the book’s afterword that he “wanted to show how depression can affect a life without ruling it” and he strikes that balance masterfully. I appreciated that it is just one small part of who Darius is. It does not define him. Novels that deal with mental illness often focus on diagnosis and characters’ struggles to win their lives back. Many of these works are compassionate, essential works for young readers, but it is also important for youths to have books like this one where depression is a detail in the story, not the story itself.

Khorram also skillfully weaves family history and Iranian cultural heritage into his book without ever distracting from Darius’s powerful struggles with identity and self-worth. Like real relationships, those in this book are nuanced, weighed down by past hurts, miscommunications, and words left unsaid. But this book is also about a loving family, determined to reconnect and support each other despite sometimes not knowing how to do so. Rooting for Darius as he bonds with his grandparents and navigates Iranian customs, family politics, and traumas big and small is incredibly rewarding. Darius is a character you won’t want to leave and won’t soon forget.

Don’t Judge a Book by its Zombies

We’ve all been told not to judge a book by its cover. At this point it feels cliché, even if the words hold value. But more to the point, sometimes it can be good to judge a book by its cover! Dread Nation by Justina Ireland is a kick-ass book with a kick-ass cover. Judge away! But please, please do not judge this book by its zombies.

I’d never describe myself as a lover of the zombie genre, though I’ve read more than a few books featuring the undead. I understand why some readers are skeptical of these stories and I realize that it doesn’t really help my case to say “but this book isn’t really about the zombies.” I mean, that’s what everyone says, right? But listen…this book?  It isn’t really about the zombies!

283ca973-6947-478d-abe1-e941ef671538-dreadnation_hc-for-webDread Nation takes place in the years following the Civil War. In this version of history the dead began to rise during the war, forcing the North and South into an uneasy truce. The South was ravaged by dead soldiers who have risen from battlefields and agreed to end slavery in exchange for Northern support. However, like during the actual Reconstruction Era, many Northerners and Southerners in this version of history remain determined to punish people of color and pursue the interests of white (and only white) Americans. One way that white supremacy manifests in Dread Nation is through a reeducation act that forces native and black children into schools. They are taught how to fight the zombie hordes – called shamblers in this book – sacrificing their own well-being to ensure the safety and comfort of wealthy and white society.

Jane McKeene, Dread Nation’s narrator, is a student at one of these schools. She is training to be a lady’s attendant, expected to cater to the whims and needs of a member of high society while also lopping off the heads of any shamblers who come-a-shambling. Though Jane takes readily to combat training and has a brilliant mind, she struggles to follow rules, is disinterested in etiquette, and bristles at the expectation that she ‘know her place.’  When Jane and two of her friends wind up on the wrong side of some very powerful (and very racist) politicians, they are banished to Summerland, Kansas.

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Justina Ireland

Summerland is supposed to be the vision of the future: technologically advanced, morally pure, well defended, and structured to provide comfort to white society through the toil and suffering of people of color. But Jane quickly discovers that not everything in Summerland is as it seems and that the poisonous ills woven through the fabric of this ‘utopia’ threaten not just the people of Summerland, but the survival of the human race in the battle against the dead. It will take all of Jane’s courage, scrappiness, and intellect to find a way to escape from this flimsy house of cards before irreversible disaster strikes.

It is worth noting that Ireland uses upsetting language to describe some groups of people. To my knowledge, these words are used in a historically accurate way even if they are far beyond the pale of what is acceptable today. It can make parts of this book uncomfortable, jarring, and difficult to read, as it should be.

Dread Nation holds its own as a dystopian zombie novel with a fast paced and thrilling story filled with dark mysteries and some gruesome deaths. But this book also serves as an excellent work of speculative fiction: reimagining the Civil War, many of its famous people and events, and the societal forces that both led to this conflict and impeded any legitimate notion of equality long after the war’s end. Ireland uses this book to take a frank look at the ways bigotry and hate thrive, even as humanity struggles to survive. And, finally, Jane is a phenomenal narrator: witty, charming, plucky, and perhaps just a bit deceptive as she pulls the reader into her story. Like I said – it’s not about the zombies!

Children of Blood and Bone

81PwjK8tPCLSometimes everything comes together perfectly. When I first heard about Children of Blood and Bone by Tomi Adeyemi it was still several months from release. The description checked a lot of boxes for me and I was excited to eventually read it, but I wasn’t desperately waiting for its release. Then I saw the cover. And, I mean, look at that cover! I was definitely in. Once I saw Black Panther and – like everyone else – was blown away, I reached a new level of excitement for Adeyemi’s work. A new series about magic, oppression, bigotry, and class set in an isolated West African country? Ummm yes, please. Add in a complex and rich backbone of mythology and I never stood a chance. So when I finally had this book in my hand I was elated, but also wary. Could it possibly live up to the hype? You’ll have to keep reading to find out, but I’m writing about it so you can probably guess…

Children of Blood and Bone is set in the fictional kingdom of Orisha. Power in Orisha was once shared between normal humans and Magi, a subset of society gifted by the gods with powerful supernatural abilities. Years before the novel opens, however, these powers mysteriously disappeared and the ruthless King took advantage of the situation, slaughtering the Magi. The scattered and abandoned children of the Magi are known as Diviners and conspicuously marked by their white hair, but unable to summon any powers. Diviners are treated as the lowest caste at best derided, at worst abused and used as slave labor.  

Zélie is one of these Diviners. Forced to watch the murder of her Magi mother when she was just a child she is angry at the Empire, determined to strike back, and more than a little bit rash. Despite being something of a pariah, Zélie, along with her father and her brother, manages to eke out a modest life trading fish for a living and training for the day when she will have a chance to take her revenge on the King and his followers.

Zélie’s impulsivity, however, throws her life into chaos when she rescues Amari, a princess from the royal line who is on the run from her terrible father. The decision to help Amari sends Zélie and her brother on a perilous journey unsure of who they can trust and what terrible dangers might await them. But Zélie is also running towards something – Amari claims she has a scroll that can restore Magi magic. Zélie hopes that this would give her people have a chance to fight back, restore their dignity, and maybe even begin to restore balance to Orishan society. Yet to reach this future Zélie and her companions must first evade Prince Iman, Amari’s brother and heir to the Orishan throne. For his part, Iman is determined to capture his sister and Zélie not just to end the threat of magic but also to finally prove himself to his cruel and demanding father. Beyond the obvious lethal danger the prince poses Zélie and Iman quickly discover they have a strange and unbreakable connection, one that threatens both of their worlds in opposing but equally devastating ways.

There are a lot of glowing adjectives I could use to describe Children of Blood and Bone, but the one that repeatedly comes to mind is refreshing. I’ve read a lot of wonderful YA novels that move in the worlds of dystopia, fantasy, history and mythology, but the vast majority are based off Western or European traditions. Having this wonderfully rich, exciting series build off of African traditions and get the support it deserves from the publishing industry is as welcome as it is long overdue. In Zélie, Amari, and Iman, Adeyemi has created three compelling and complicated narrators who are both eminently likable and, at times, incredibly frustrating. I’ve read some criticism that Children of Blood and Bone reads like an author’s first novel (probably because it is) and drags at times. I understand where this criticism comes from, but it’s also quite simply a thrilling read with a captivating ending that leaves plenty of juicy questions for the rest of the series to tackle.

Some Light Reading for the End of the World

I get a kick out of a story that can combine world-changing, terrifying, and sometimes supernatural events with a fairly traditional, mundane coming of age story. This is one of the many things I love about Andrew Smith’s Grasshopper Jungle. Shaun David Hutchinson also showed his skill with this kind of work in We are the Ants and he doubled down in his latest novel, The Apocalypse of Elena Mendoza.

At first glance, Elena Mendoza is similar to lots of teenage protagonists. School can be rough – she isn’t exactly popular, but she has made her own community. She loves her mom and younger siblings but hates her loser stepdad. I can keep going: her job sucks, Freddie, the girl she pines for, seems to have no clue she exists, inanimate objects often speak to her and she is the product of a virgin birth. Like I said, pretty typical.

81G6+tEFWqLSo about that virgin birth thing. Despite being shouldered with a “miracle child” moniker, there is a scientific explanation for Elena’s situation. She is the first proven human case of parthenogenesis, a form of reproduction involving an unfertilized egg. Other than some cruel classmates who nicknamed her Mary, Elena has largely been able to shed any spotlight that might come from the unique circumstances of her birth. Time heals all wounds and brings enough sensational news stories each day to allow hers to fade away.  

The voices Elena hears are a little harder to explain, but truth be told they give her advice that usually proves helpful so she has learned to live with them and hide them from the surrounding world, even from her mother and her best friend, Fadil. Then one day while at work she witnesses a classmate shoot Freddie and is told by the logo on a Starbucks cup to save Freddie’s life. Though it defies explanation, Elena is able to heal Freddie and her reputation as a miracle girl comes storming back, bringing Elena a mess of unwanted attention.

To make matters worse, the boy who shot Freddie disappeared in a ray of light right after Elena performed her “miracle.” The voices tell Elena that she must heal more people to save the world. Fadil, a devout Muslim, tells her to trust in God and plenty of others tell her she is either crazy or a fraud. For her part, Elena is sure there must be some sort of scientific explanation and she is reluctant to use her powers. But with so many people suffering around her, how can she resist? Unfortunately, every time she heals someone, people disappear in strange beams of light. And as her profile grows, more people seem to want to use her, from her selfish stepdad to shadowy government agents. So Elena is left with quite the needle to thread: save the world, avoid manipulation, solve this rapture mystery and figure out if Freddie likes her or resents her for saving her life. No sweat?

Hutchinson packs a lot into this book and in less capable hands this story could have gone off the rails or veered into religious speculation that just isn’t my taste. Yet Elena is a sensible, compassionate, and delightfully wry narrator who manages to keep this wild novel somewhat grounded. I loved her mix of optimism and pragmatism and her quick banter with Fadil, Freddie, and her ex-boyfriend Javi.  

More than anything else, however, I appreciate the way this book handles identity. I read a lot of YA fiction that features queer characters and I appreciate the thought and care with which so many authors today write about questioning or discovering sexuality, coming out, facing bigotry, and finding acceptance. I also believe, however, that we need stories like this one. Elena has lots of insecurities but is perfectly open and comfortable with her bisexuality. And that is also how she is treated by Hutchinson. Her identity is only addressed as it pertains to the story. It’s a fact of life, not a plot point. The same could be said for the treatment of Fadil’s religion and Elena’s Cuban-American heritage. Hutchinson’s matter-of-fact approach to diverse representation not only makes for great writing but creates a world that I want to live in. Even if it is on the brink of apocalypse.

Bookstagram, Publishing, and the Castrati: We Chat with YA Author Jennifer Bardsley

Readers, I have a special treat for you today! As the library ramps up in preparation for her March 4th (2pm!) visit to the downtown library as part of the Everett Reads! community reading series, I caught up with local YA author and Everett Herald columnist Jennifer Bardsley to talk about everything bookish! For a primer on her incredibly addicting Blank Slate series, check out my review of book 1, Genesis Girl.

big-picture jennifer bardsley

 

First, tell me about you! What’s your background, and how did you get into writing?

In 2007 I was a stay-at-home mom who wrote a blog called Teachingmybabytoread.com as a way to keep my skills as a former elementary school teacher fresh. I loved blogging since it was a way to connect with people all over the world. I also enjoyed reading my local newspaper, The Edmonds Beacon, but noticed that none of the columnists represented the “mom demographic.” My limited success as a blogger gave me the idea to pitch The Edmonds Beacon with a column idea about what it was like to be a modern mom. I wrote up five sample columns and an introductory email, pitched them my concept and waited. And waited. And waited. They never emailed me back. Crushed, I filed those columns away in a drawer.

A month or two later, I saw a copy of The Weekly Herald and decided to brave it. I gathered up my courage to submit my idea to them instead. That’s how my column “I Brake for Moms” was born. After four months in The Weekly Herald, “I Brake for Moms” moved to The Everett Daily Herald where it has been for almost five years.

In the middle of all that column writing, I also wrote fiction. In 2013 my manuscript landed me my agent, Liza Fleissig of the Liza Royce Agency, and in 2014 Genesis Girl sold to Georgia McBride of Month9Books in a two-book deal.

genesis girl jennifer bardsleyHow did you get the idea for Blanca, a character who has never used the internet nor had her image ever posted online?

Prepare to be grossed out. I based the concept of Blanca and her Vestal Brethren on the castrati from opera’s shady past. In the seventeen and eighteen hundreds, some young boys in Italy were castrated in the hopes that they would become famous opera stars who could sing the highest notes. They were sent away to special schools where they lived and breathed music. Most of the castrati did not become famous. They were sent home in disgrace, scarred for life. But the castrati who succeeded were superstars. 

Yikes!  Even aside from that, the whole Blank Slate world is so eerie! I can see this becoming a distant reality.

I know, right? From computers to car phones, to cell phones, to smartphones; it’s only a matter of time before there is a technology advancement that is user-friendly in a way we can’t yet imagine. Maybe it will be like finger chips, maybe not, but it will be cool.

What books or authors would you recommend for readers like me who enjoyed reading Genesis Girl and Damaged Goods?

A classic SciFi book that I love is The Handmaid’s Tale by Margaret Atwood. There’s a new television show based on it coming to Hulu that I’m excited about too. A SciFi series I enjoyed that came out recently is Survival Colony 9 by Joshua David Bellin. It’s cli-fi, meaning climate change meets science fiction.

damaged goods jennifer bardsleyI’ve always wondered about something. Is it more difficult to write the first book in a series or the second?

Damaged Goods was way easier to write than Genesis Girl because I had already done the hard work developing the characters. I wrote out an outline, turned on my computer, and banged the book out in four months. Then I spent the next year revising it.

What sort of advice would you offer a writer aspiring to make the leap to becoming a published author?

If you are writing fiction and you want to be traditionally published, you need to write the entire book first before you query agents to represent you. Agents then take the book on submission to publishing houses. If a house buys your book, it takes two to three years for your manuscript to be published.

However, with nonfiction it’s entirely different. You write a thirty to fifty-page outline and marketing plan for your proposal, and send that directly to publishers.

The quick way to bypass all of those steps is to self-publish. There are lots of indie authors who earn a ton of money because agility helps them capture hungry markets. Instead of guessing what topic will be popular with readers in three years, indie authors can write and publish books that are hot at that moment.

Bookstagramming is a big part of your presence online, one that I really enjoy following. How do you get your ideas for your beautiful layouts?

I love your account too! Instagram is a great way to meet new friends.

I keep a box of random knickknacks in my library that made it easy to style photos. Winter is tricky, but once the weather warms up I cut foliage from my garden to use in photos. My friend Jenn Eagan of @jennegan26 gave me good advice. “On bookstagram, more is more. If you think there are enough objects in your photo, add a few more just in case.”

Do you have different approaches for writing your column and your novels? Or does the process tend to be about the same?

Having a newspaper column has taught me a lot about discipline because I have a due date every week. I keep a notebook in my purse to jot down ideas if I get inspired, but generally I have a topic rattling around in my mind for a few weeks before I write it out on paper. Then a few days later, I revise it.

With fiction, I spend months and even years coming up with a concept first, before I start writing a book. The traditional publishing market is so competitive, that unless you have a killer idea, it feels like you are doomed.

I’m so curious about your writing environment! Do you have a dedicated office or workspace?

I used to have a dedicated writing space in our home library, but then my poodle Merlin took over that room and now it smells like dog. Luckily it’s the only room in the house that smells poodly, but it’s no longer my preferred place to write. These days I am much more likely to type on the computer in the niche next to our kitchen.

Do you have any other upcoming projects? You know I’m eagerly anticipating more Blank Slate novels!

Damaged Goods has a conclusive end, with just enough wiggle room to write a third book if my publisher is interested. It all depends on how this second book does. Stress!

author event march 4 jennifer bardsley

 

What can our readers expect when you come to the library on March 4th?

I have a game prepared that involves dice, fake money, information about the path to publication, and some inside secrets about what it’s like to be an author. I’ll follow up with questions from the audience.

Thank you so much, Jennifer, for taking the time to chat with me! I can’t wait for your visit March 4th at the main library!

Jennifer: Thank you so much for having me!

Genesis Girl by Jennifer Bardsley

genesis girl jennifer bardsley

Blanca’s parents never posted baby photos of her on Facebook. They never taught her to ride a bike, or took her to Girl Scouts, or even walked her to school. They’ve never even taken a family photograph together. That’s because Blanca’s parents severed all lines of communication when she was very young, choosing to offer her up as a Vestal postulant.

Blanca has been raised her whole life at Tabula Rasa, a boarding school/cloistered academy of sorts that raises children to be supplicant and free of all technology. She’s been training her whole life to be a Vestal, essentially an internet virgin incapable of making decisions for herself. In a world where technology has moved away from handheld phones and literally into the user’s hands in the form of tech implants, Blanca and her classmates are extremely valuable. No one outside the school has ever seen them or a photograph of them.

When a Vestal graduates from Tabula Rasa at eighteen, corporations bid on them. They will purchase Vestals to serve as product spokespeople. A Vestal’s image has never before been released on the internet, and now the corporation owns everything about their likeness. Consumers find Vestal families depicted in advertising campaigns as trustworthy, wholesome, and believable. Even though everyone knows how a Vestal is made, the corporations still sell so many more products and services when a Vestal is involved in the ads.

I’ll let Blanca explain it:

For a Vestal, a clear Internet history is the most important
thing. Without that, I’m nothing. Our elusive privacy is what makes us valuable. I’ve watched our class shrink from two hundred eager postulants to a graduating group of ten. The infractions were usually unavoidable: their memory was spotty, their temperament was bad, or worst of all, they turned out ugly. But once in a while, somebody was thrown out because of an online transgression. Everyone left is bankable. Ten perfect human specimens who could sell you anything.

Still with me? This is a dystopian society in which technology has played a key part in the destruction of the human race. In this world, brain cancer has killed off many of the previous generation thanks to radiation in cell phones. That’s why tech implants in fingers and hands have become popular. People no longer have to hold the tech to their heads. But it also makes it easier for someone to sneakily take a photograph of someone, which is why Vestals aren’t ever allowed outside of Tabula Rasa’s lead walls.

That is, until the day our book begins, when someone manages to break into the underground parking area of Tabula Rasa as Blanca and her friend Fatima are attempting to get into a vehicle to take them to their auction. Blanca is stunned, horrified and not sure what to do. I mean, our girl immediately fights back in the form of kicking the photographer and trying to prevent him from uploading her image. But with her image potentially out there for the world to see, she fears no corporation will want her, no one will bid on her, and she’ll be let go with her whole life up til now being a big waste.

Corporations aren’t the only entities that can bid on a Vestal. There are also private bidders, and a Vestal purchased by one is considered to have “gone Geisha.” That’s because the speculation is usually that a Vestal purchased by an individual will actually be treated like a wife or husband, rather than an employee.

Genesis Girl brings a fun-house mirror up to our current society obsessed with technology and asks: what if tech was everything? What if we put some serious value on those who don’t use technology and are truly present in every conversation? The book also kept turning the tables, forcing both Blanca and the reader to repeatedly change their perception of Blanca’s identity. Will she go Geisha? If so, does that mean she will be forever stigmatized? Will she even be bid upon or thrust back into the cruel world with no notion of how to operate even the simplest computer? What will happen to her Vestal friends? And what is going to happen to that rude guy who took her photo on the first page of the book?

You guys, I usually don’t like dystopias and it’s rare that I can get into a Sci-Fi novel. But I completely loved Genesis Girl. In fact, I had a few chapters left last Sunday when I snuck it into The Paramount to finish at intermission. Genesis Girl is the start of a series, which you will be happy to hear once you read the ending and are left wanting more! More Blanca! More of the crazy world depicted! More secrets revealed!

The author of this insanely addicting book, Jennifer Bardsley, is more than just a debut author. She’s even more than just a Pacific Northwest/Snohomish County author. She’s the genius behind The Herald’s weekly parenting column, I Brake for Moms. Yes: her words break out into the world from right here in Everett! She was kind enough to send me an advance copy of the book, as well as some awesome bookmarks that we’ve put out in the teen area for you. She has a huge following on Instagram, where I first connected with her. As I was writing this she posted a video trailer for Genesis Girl that you need to go watch right now! And she recently gave us a peek into the life of a debut author via this article in The Herald.

What more could you possibly want? Read Genesis Girl and I guarantee you will want the next book in the series.

Best of 2015 Redux Pt. 3: YA and Children’s

YA and kids

If you’ve been following the blog this week you know we’ve been topping off our 2015 staff picks list with all the gems that didn’t make it into the printed booklet we’ve had out at both libraries.Today we have reached the end of our journey, but these are by no means our least favorite. In fact, depending on your literary persuasion, today’s chunk of awesomeness might be what you’ve been looking forward to all week. To save you tons of clicking (and save ourselves all that hyperlinking) we’ve compiled today’s goodies into one giant list.

YA!

The Nightmare Charade by Mindee Arnett
Summary: Dusty is a magical being who feeds on human dreams. She’s the only Nightmare at Arkwell Academy, a boarding school for magickind, and with an old foe back to seek revenge, she’ll need all her strength to defeat him and save her friends.
Why Carol liked it: This wrapped up the trilogy I’ve been loving for the past few years. While I’m sad to leave Dusty & Eli behind, I am completely satisfied with this ending.

One by Sarah Crossan
Summary: Grace and Tippi are sisters of a very rare kind: they are conjoined twins. For their first 16 years of life they have been home schooled and kept away from curious and cruel gawkers. Now they must attend school, make friends, and face a huge life change.
Why Elizabeth liked it: A fascinating topic (I felt guilty for being one of the gawkers at times!) which was handled with great care. I read One every chance I could – I had to know what happened! Crossan gives information at the book’s end about her research on conjoined twins.

Infandous by Elana Arnold
Summary: Artistic Sephora lives with her beautiful but distracted mother in a run-down neighborhood of Venice Beach filled with ugly apartments and lacking in opportunities. Something very dark is gnawing at Sephora and she uses her art to express her pain.
Why Elizabeth liked it: Sephora is not the usual teen novel character nor is this a typical story. I especially liked the scenes in which she is composing her art. The addition of troubling ‘fairy tales’ interspersed with the chapters, increase the mystery.

The Game of Love and Death by Martha Brokenbrough
Summary: It is 1937 in Seattle. Henry loves forbidden Flora; Ethan is struggling with being in love with forbidden Love. Death wears the identity of a young cousin, and Love the local homeless shanty town mayor as they struggle over whether Flora will live or die.
Why Elizabeth liked it: Highly original and compelling, this book portrays love and death as characters that have fought over individuals’ fate for eternity. In the end you are left asking whether you are making the utmost of your precious life, an important question for all.

Bone Gap by Laura Ruby
Summary: Spacy, dreamy Finn, a high school senior living in small town Bone Gap, is troubled by bullies, a difficult relationship with his brother, and the disappearance of a young woman. Meanwhile, Roza’s story of immigration and abduction is slowly revealed.
Why Elizabeth liked it: Original characters, a touch of magic realism, a love story, and a growing sense of foreboding about Roza all make for an exciting read. I also liked the spare but dynamic writing style and atmospheric imagery that worked perfectly with Finn’s story.

Magonia by Maria Dahvana Headley
Summary: Fifteen year old Aza Ray Boyle has been gasping for air as long as she can remember due to a very rare disease which has impaired her lungs badly. Things get suddenly worse and Aza tragically succumbs in an ambulance … or does she?
Why Elizabeth liked it: This is a highly original and somewhat bizarre book filled with ships in the sky, bird-like shape shifters, singing that can win wars, and birds that inhabit human lungs. I could never guess what was coming next!

One Thing Stolen by Beth Kephart
Summary: Nadia and family are staying in Florence, Italy so her father can write a book, when Nadia begins to experience problems communicating: It’s as though the words won’t come to her. She also begins to steal objects and enters into a creative frenzy.
Why Elizabeth liked it: Beautifully written, with wonderful imagery of Florence, this is a quick read that you won’t want to put down. Nadia’s spare, poetic voice works well to describe the terror of losing her mind. Luckily, a glimmer of hope illuminates the ambiguous ending.

No Such Person by Caroline B. Cooney
Summary: Sisters Lander and Miranda have lived privileged and active lives. Relaxing summers at their rustic beloved cottage on the lake have been a high point, but when Lander meets Jason, her carefully constructed world implodes.
Why Elizabeth liked it: I’ve enjoyed other books by Cooney and No Such Person may be my favorite yet. It is suspenseful, surprising, and fast paced. The striking difference between the sisters and the history between them, adds to the tension.

Everything, Everything by Nicola Yoon
Summary: Madeline has been housebound for all of her 18 years due to a life-threatening allergy to everything. Olly moves in next door with his dysfunctional family and immediately catches her eye. Her carefully constructed contentment begins to crumble.
Why Elizabeth liked it: A fast read that is interspersed with David Yoon’s charming illustrations which you will not want to put down. Madeline is used to being obedient and following her doctor mother’s rules, but when Olly is added to the mix she finds her wings.

Orbiting Jupiter by Gary D. Schmidt
Summary: Sixth grader Jack has grown up on a farm with two loving parents when Joseph enters his life as a foster brother. Joseph is 14, has been in trouble, and has a 3 month old daughter who he has never seen. He is also deeply scarred by past events.
Why Elizabeth liked it: I have been a fan of Gary D. Schmidt since I heard him speak very eloquently about writing, the state of the world for kids today, and how to reach out to them. This is a short, quick read but packs a powerful punch. You won’t forget it.

CHILDREN’S!

The Boy & the Book: a Wordless Story by David Michael Slater
Summary: In this cautionary tale a young boy carelessly mishandles a library book, while the other increasingly distressed books try to rescue their friend.
Why Alan liked it: A natural for library staff, this will also teach children (of any age) how to properly handle a book. And, truly, what’s cuter than a stressed-out book with glasses?

What Pet Should I Get? by Dr. Seuss
Summary: A boy wants all of the pets in a pet store but he and his sister can choose only one. End notes discuss Dr. Seuss’s pets, his creative process, and the discovery of the manuscript and illustrations for What Pet Should I Get?
Why Alan liked it: It’s Dr. Seuss. Unfinished Seuss is still Seuss. And while it’s not one of his masterpieces, it’s still very pleasing. And a literary event we can proudly promote.

The Day the Crayons Came Home by Drew Daywalt
Summary: One day, Duncan is happily coloring with his crayons when a stack of postcards arrives in the mail from his former crayons, each of which has run away or been left behind, and all of which want to come home.
Why Alan liked it: The sequel to the wildly popular The Day the Crayons Quit, which involved anthropomorphized crayons writing letters of complaint is almost too cute; we now see those rascals issuing a series of (often hilariously ironic) postcards detailing their travels.

I Will Take a Nap! by Mo Willems
Summary: Gerald is tired and cranky and wants to take a nap, but Piggie is not helping.
Why Alan liked it: Willems’ Elephant and Piggie books are not only as enjoyable to parents as they are to kids, but teach great lessons in a toddler’s voice.

Marvels by Brian Selznick
Summary: In Selznick’s most recent masterpiece, we follow the tale of a shipwrecked boy who spawned a theatrical legacy. 100 years later, his distant offspring tries to piece together the story.
Why Alan liked it: Much like Selznick’s prior works The Invention of Hugo Cabret and Wonderstruck, Marvels’ gorgeous black and white illustration mirrors the detail, insight, and precise prose of the factually-based story.

So there you have it. Another fab year in books and music, all wrapped up for you with one giant metaphorical bow. I don’t know about you, but my TBR is now taller than I am–and I couldn’t be happier.

Happy holidays from all of us at the Everett Public Library!