More the Best of 2018 (So Far)!

Like a crisp newly-minted road map, the music of 2018 unfolds before our eyes leaving a wake of paper cuts and indecipherable allusions. Welcome to: More the best of 2018 (so far)!

The first thing one might notice about Screaming Females is that only one-third of the band is female. Were I to describe them in one word, that word would be HEAVY. Distorted guitars, hard rock riffs, vocals that bring to mind Ann Wilson. Screaming Females does not enter the realm of sludge nor are they simply hard rock, but there is a certain weight that permeates the music of their 2018 release All at Once.

Screaming

From the Bunyanesque opening chords of Glass House to the spine-blowing mammothness of Agnes Martin (a song about an American abstract painter) to the angular punkosity of Fantasy Lens, you could say that SF deliver the musical goods in a hefty bag filled with delight. But don’t get the idea that these two mute fellas and one screaming gal have only a single note in their bag of picks (see what I did there?); their music moves effortlessly in and out of a variety of feels and genres. In the words of Thomas Alva Edison, it’s good when a band is hard to pigeonhole.

If you like a hefty sound filled with hoo-ha and hullabaloo, you could certainly do worse than All at Once. This seventh album by an unknown-to-me band, fronted by a singer/guitarist I’ve never heard of who has been named the 77th greatest guitarist of all-time by Spin magazine, is definitely a standout in 2018. So far. As always, check it out.

In an unintentional gender-solidarity pick, Goat Girl (Goat Girl, Screaming Females; get it?) delivers another more-the-best-of-2018-(so-far)! album with their self-titled debut.

Goat Girl

The music is genre-defying: cavernous reverb, country-tinged riffs, jazz noir vocals… These elements combine to create a dark goth-like palette filled with down-home fiddle licks and a free ticket to the rodeo of the undead.

It’s hard to describe music that’s like nothing one’s ever heard. Take the song Cracker Drool. The opening features a simple, typical country bass line. Drums with an equally simple country backbeat, sparse faux pedal steel guitar and good-ol’-girl vocals complete this simple song. But wait! Simplicity is quickly engulfed by a driving, dissonant section that just as quickly disappears. This pattern more or less repeats and we think we’ve got the song figured out. Mais non! Suddenly the tempo and feel change dramatically, although the riffs stay fairly constant, and after a bit of this the song ends. Not at all typical.

And Cracker Drool is unlike any other song on the album. Variety is king. Sounds ranging from riot grrrl to swamp blues to indie rock with a country fiddle permeate this brilliant debut. So get out the excessive eyeliner, saddle up and discover aural worlds never dreamed of with Goat Girl. As always, seat belts are recommended.

2018 has already brought us a mix of pleasant, even brilliant albums. Stay tuned to the future for more excursions into the best of 2018 (so far)! Time machines are optional.

Listen Up! Spring New Music Arrivals

Faded collage of six album covers with the text "Listen Up!" printed over them.

Chase away the clouds with some great new music arrivals. Place your holds now:

Starchild & the New Romantic – Language (Ghostly International) – Down-tempo funk with a retro feel. Artist Bryndon Cook’s music may be a nod to greats like Prince, P-Funk, and Michael Jackson, but the album is far from derivative. It’s more of a homage to those who have come before with the sincerity of a creative and talented musician blazing his own path past the monuments.

Soccer Mommy – Clean (Fat Possum Records) – Dreamy, folky, a little gritty. Singer/songwriter Sophie Allison took what was more or less a home-grown scene of her making via her uploaded music and re-recorded her material into a robust full-length release for a wider audience. The album still has the intimate, personal feel of her earlier recordings, but is more fully realized with the backing of a band. Her material is stripped down, autobiographical, and highly relatable – giving you a window into the life of this very talented young artist on the rise.

Meshell Ndegeocello – Ventriloquism (Naive) – Ndegeocello’s vocals are spare, layered over production that has an almost dreamlike, ambient feel. Her work features interpretations of RnB hits that anyone who came of age in the 80s or 90s will recognize. Each track is less of a cover and more of a reinvention; there is a warmth and mystery to each that makes me think of them as throwback lullabies.

Shopping  – The Official Body (Fatcat Records) – A post-punk concoction that’s a little surf rock, pop, and new wave all in one. If the B-52s and The Slits had a love child, it would sound a little like this album.

No Age – Snares Like a Haircut (Drag City, Inc.) – Lush, full bodied noise-rock. No Age’s fifth studio album shows a maturity of sound that has developed over 13 years of collaboration. The mingling of beauty and turmoil creates an explosive mix of highly enjoyable tracks. Is polished roughness a thing? If so, they’ve nailed it.

Screaming Females – All At Once (Don Giovanni Records) – Alt rock with venue-dominating vocals and a punk vibe. Another release from a veteran act making the list, this is the 11th album for the Screaming Females. Clearly they haven’t lost a step as they continue to push the boundaries of generefication. Special treat for the fans of Fugazi – Brendan Canty makes a guest appearance on drums.

Dabrye – Three/Three (Ghostly International) – Hip hop with strong electronic production. Producer Tadd Mullinix returns to his Dabrye moniker after a long hiatus. His time ‘off’ has been fruitful for his work in different electronic music ventures, but fans of his hip-hop material have long been awaiting this latest release. Three/Three does not disappoint. This album boasts a long list of collaborators staying true to Mullinix’s Michagander roots by highlighting Detroit-area MCs new and old in particular.

Lindi Ortega – Liberty (Shadowbox Music, Inc.) – Dramatic ballads with a Spaghetti-Western flare. Ortega’s beautifully-emotive vocals lend an air of mystery to her tracks. Grab this album and be taken along on a wild ride as each track tells a tale of loss and salvation. I have a soft spot for albums that tell a story and this one delivers a Country Gothic tale worth hearing.