Many people come to me and say, “Kurt, what are some of the best albums of the year?” To which I reply, “My name is not Kurt and please don’t call me late for dinner.” This rather cryptic response is typically unsatisfying, but to soothe the masses of music seekers I give you a few great albums that dropped in 2019 so far.
You might remember the Stray Cats as the rockabilly revival band that rose to fame during my final years of high school. Forty years ago. Although the band has essentially been broken up forever, each of the members has continued in the music business, often in the greater rockabilly genre pool. On 40, their first new album in 26 years, Stray Cats return to the maniacal gut-thumping sweet rockabilly sounds that they first explored in their self-titled 1981 release. In fact, one might hear the occasional extremely familiar riff or chord progression. But, considering that rockabilly has a fairly limited musical vocabulary (which is not a bad thing; many genres are the same way), this is not really surprising or disappointing.
Brian Setzer is now age 60, which is strangely old for someone playing youth-oriented music, but his voice and guitar have never been better. This guy is about as good as it gets. Give the album a spin or two, maybe put on some pegged jeans, throw back a PBR and indulge in a little delinquency. You won’t regret it. Unless you get caught and imprisoned.
Meat Puppets, perhaps one of the best bands you’ve never heard of, started playing in 1980, and, other than a couple of shortish breaks, they’ve been together ever since. Originally known as a punk band, their music rapidly expanded to include a bit of the country and psych vibes. Cowpunk, as the mix of country and punk came to be called, was one of the more exciting subgenres to emerge in that era. It’s never attracted too many practitioners but has definitely influenced current bands including The Goddamn Gallows and Stoned Evergreen Travelers.
If you are a person who likes older Meat Puppets albums, you will probably enjoy their latest, Dusty Notes. There’s no groundbreaking genre-expanding mind-blowing quantum leaps here, just a solid punk rock foundation covered with sweet country crooning and psychedelic sensibilities. Songs tend towards the mellow with guitars a bit more in the background than the front. And the electric harpsichord in Unfrozen Memory? Well worth the wait.
L7 came to prominence in the 90s, broke up in 2001 and returned to the rock and roll limelight in 2014. Although their music resonates with a distinct punk/metal feel, the group is often associated with grunge and its big-name acts. At a time when rock and punk rock were largely male-dominated, the women of L7 went against the norms and created heavy, sleazy punk that made listeners forget all about gender and stereotypes.
2019 saw the release of a brand spanking new album, Scatter the Rats, that picks up right where the band left off. Heavy metal guitar riffage, a pervasive Joan Jett vibe, gritty rock and roll, heavy pop… Lots of variety within the punk genre. But always, that hard metallic edge picks away at your brain brain brain driving you… Well, you’ll just have to listen.
The year is barely half over and there will undoubtedly be many other great albums to hear. But for now, unless you’re a time traveler, check out these and other recently-released albums at Everett Public Library. And always remember the compelling words of Captain Beefheart:
Abba zaba zoom