One of the best things about working in a library is that you can never complain about the lack of new discoveries. Whether it’s an interesting reference question that takes you down a rabbit hole into a topic you’d never thought much about, or chatting with your colleagues about their likes and dislikes, you’re bound to learn something. For that reason, I love talking to people about their favorite music. I enjoy listening to new things, but have to admit I can get stuck in a rut listening only to music that is familiar. So, I decided to reach out to some of my colleagues to ask about their favorite music for the benefit of our dear blog readers.
Walk the Moon – Walk the Moon (RCA Records)
My husband and I may quite possibly be the oldest people to rock out at their concerts, but Walk the Moon has been my absolute favorite for the last three years. At a WTM concert in 2013 I had a girl tell me, “OMG You know all the words to the songs!” When they were here in March I had an injured foot, so guys, I apologize for having to literally sit the concert out. I swear Kevin was staring holes into my forehead like, “Girl, get moving!” But it allowed me to snap this photo.
Best known for the oft-played Anna Sun, these four happy-go-lucky guys from Cincinnati are up for an MTV Music Video Award for Shut Up and Dance from their new album Talking is Hard. If you like upbeat rock with fast keyboards and killer guitar riffs, you will love WTM.
Some others that evoke similar upbeat happy feelings with catchy lyrics you’ll be singing in your sleep:
• St. Lucia (song: All Eyes on You)
• Misterwives (song: Reflections)
• Passion Pit (song: Lifted Up)
• Big Data (song: The Business of Emotion)
• The Paper Towns soundtrack (song: My Type by Saint Motel)
The Cramps – Songs the Lord Taught Us (A & M Records) is perhaps one of the most innovative rock albums created since the beginning of time and space. Lead singer Lux Interior was a true 50s-style rockabilly crooner emoting over guitar leads from a slightly alternabilly universe, as well as distant buzzsaw chords borrowed from nightmarish experiments. Drums are simple, sounding as if any fill might end with the entire kit falling over. And lush reverb envelops it all. Some label them garage or punk, others as the creators of psychobilly. Labels aside, they are forgers of new territory whilst maintaining solid roots in traditional rock and roll. I recommend their cover of Little Willie John’s Fever as an eye-opening, mind-imploding aural extravaganza.
Eminem – The Marshall Mathers LP 2 (Aftermath Records). Just when everyone thought Eminem was washed up, he surprised everyone and dropped this great album. I’ve been heard to say it’s to Eminem what Ray of Light was for Madonna. It doesn’t matter if he never issues anything better; this album solidifies Eminem’s place as one of the very few Kings (with a capital “K”) of hip-hop. Please note: Eminem’s subject matter and content remains socially irresponsible and potentially offensive.
Minor Threat – Complete Discography (Dischord). 1983’s Out of Step is a landmark punk album and all of its songs are included in this collection. In Minor Threat’s short career they didn’t have much opportunity to create a bad song; every song here evokes the time when the gritty east-coast punk sound was just emerging.
X – Los Angeles (Rhino Entertainment). Thanks to The Doors’ Ray Manzarek’s interest in the band, this album sports a high production value that might have seemed contradictory to a seminal west-coast punk album, if it weren’t for X’s inimitable and distinct style and sound. This would be on my deserted island list for sure.
The Antlers – Familiars (Anti-). Most agree Familiars is an intentional follow-up to the soul-crushing but gorgeous death-themed Hospice, and that’s a compliment of the highest order. The Antlers can take you to the deepest depths but their sharp wit and lovely arrangements won’t leave you there for too long. I recommend listening with headphones in order to catch all of the musical and lyrical subtleties.
Perfume Genius – Too Bright (Matador). For me, this record was a happy accidental discovery; I plucked it off of a library display on a whim, and I was immensely rewarded. Described as “Chamber Pop,” the album is rich with raw LGBTQ themes that feel so relevant at this moment in history. As it happens, this album was partially recorded in Everett.
Arcade Fire – Funeral (Merge Records). If you haven’t heard it before, stop what you are doing and immediately go listen to Arcade Fire’s 2004 debut release. It includes (what arguably became) the band’s anthem, “Wake Up”, a song that sparked an entire musical genre’s obsession with large-group vocal harmonizing. This also makes my deserted island list.
Viet Cong – Viet Cong (Jagjaguwar). If it wasn’t for Lisa’s recommendation, I wouldn’t have stumbled upon this dynamite Canadian four piece group. Their sound is post-punk with a little bit of synth and a lot of angst thrown in. Each song inhabits that great space between carrying a tune and totally falling apart. Plus how can you not love a band with a song titled “Pointless Experience”?
Chvrches – The Bones of What You Believe (Glassnote). Be forewarned, this is heavily crafted electronic music with nary a guitar lick in sight. With strong vocals, great hooks and extreme precision their music flirts with going over the top, but the lyrics keep it grounded in the world of break ups and existential ennui. A new album, Every Open Eye, will be coming out in September.
I’ll keep this short since I already spend a lot of time talking about my musical tastes.
Daft Punk – Homework (Virgin) Long before the robot helmets and sold-out massive festival events, there were two gangly French dudes making amazing house and techno in a field somewhere in Wisconsin. Not long after Daft Punk’s first North American appearance at Further 1996, they released their bombshell debut album, Homework. For the first time in the US, tracks that we’d only heard at underground parties were getting a ton of play on mainstream radio channels, and videos in heavy rotation on MTV. Almost 20 years later, I can throw this album on and still want to dance.
Defected Presents House Masters: Frankie Knuckles (Defected Records) Another trip down electronic music memory lane. For anyone interested in the roots of today’s EDM, this retrospective of the late, great Frankie Knuckles is an absolute must. Take a trip back to the Warehouse days of Chicago, when house music was brand new, and had yet to become a global music phenomena that spawned countless genres of dance music.
Place your holds and listen along with us. For the next couple weeks different staff members will be maintaining a ‘staff picks’ music display at the main library. Keep your eyes peeled for more great recommendations there.