Listen Up! December Wrap-up and New Music Arrivals

Petite Noir Cover

December is here and I’m catching my breath. It’s been a long busy year at the library, and I’ve had a blast working with our music collection. It’s been amazing to see how the unique character of our community influences the music that passes through our doors. Our users help determine what makes it to our shelves via donations, purchase requests, or simply checking certain items out more than others so we know what they like.

Some casual observations: Rock, Country, Latin, and Christian music do a booming business. Hip-hop and Electronic acts are steadily gaining in popularity; there are rarely any purchase requests (hint hint), but the stuff that’s been added goes out quickly and those shelves can look completely ransacked at times. People around here love reggae and Hawaiian music (I think all the rain makes people long for warm sandy beaches). Everett also can’t seem to get enough holiday music – the carts have been out since just past Halloween because people kept asking about them.

One issue that I’ve noticed is that some genres are becoming more difficult to purchase due to changes in technology. Within the Indie, Electronic, and Hip-hop communities, many artists are choosing to go digital-only, or to scrap the use of CDs for throwback media, such as vinyl records and cassette tapes (I’m waiting on the 8-track and wax cylinder revivals). This came into play while working on developing the Local Music collection, because many bands only had digital releases of their albums. The digital-only trend is also a big hurdle for libraries when it comes to adding music from international artists making music in developing countries. Digital releases are far cheaper to produce, market, and distribute, so they’re a natural fit for musicians who are working with a tight budget. There are online services available that allow libraries to loan digital music. They wouldn’t do much to remedy this issue, however, since they mainly provide pre-selected packages of albums from major labels. Hopefully this is something that will change in the near future, because there’s a lot of great music out there that we’d love to share with our users.

I’m looking forward to seeing what 2016 brings to Everett. We’re a vibrant city with a lot of creative people and a thriving musical scene. You can help be a part of that growth: if you hear of a great new act, local or otherwise, drop our reference librarians a line and we’ll see what we can do. Now on to those December picks (I’ll keep it short!).

Empress Of CoverEmpress Of – Me (Terrible Records) – A lively combination of dance, pop, and rock, very reminiscent of Bjork’s early material. Lorely Rodriguez’s voice somehow manages to be strong and ethereal almost in the same breath. Her lyrics are deeply personal and rich in storytelling, flitting through scenes of a failed romance while making you want to dance away her angst.

Petite Noir – La Vie Est Belle (Domino Recording Company) – Bright, beautiful, and insanely catchy. Yannick Ilunga calls his sound Noirwave, and you can definitely see his New Wave influences winding through, track by track. In the end, the album really defies description. New wave, hip hop, electronic, or rock, plus subtle hints of Ilunga’s Congolese and Angolan musical roots – each element fuses together into a satisfyingly-complex new sound.

Car Seat Headrest coverCar Seat Headrest – Teens of Style (Matador Records) – After releasing an impressive 15 albums on the indie music selling site Bandcamp, former solo-artist Will Toledo and his band have come out with their first album on the legendary Matador Records. Did I mention that he managed all this before turning 23? Bright, airy, and guitar-driven, I expect to hear more wonderful things from this band in their 2016 release, Teens of Denial.

Future Shock – Secret Weapon EP (Future Shock) – Continuing on the new wave tip, this mysteriously-masked Seattle Duo calls their sound Afro New Wave. With production by RayGun and lyrics by The Doctor, this EP comes across sounding like David Bowie, Marilyn Manson, and Duran Duran got together and laid down some tracks. From start to finish the Secret Weapon EP is a solid album that leaves you looking for more.

Protomartyr CoverProtomartyr – Agent Intellect (Hardly Art) Dark, brooding, driving post-punk. This album sounds like a grey winter day – perfect for your winter angst.

Roots Manuva – Bleeds (Big Dada) U.K. hip-hop pioneer returns with his first release in nearly four years. Stripped-down, tight production showcases the kind of political lyricism I’ve come to expect from Roots Manuva.

Basement Jaxx – Junto Remixed (Pias America) A full roster of clubby, dancefloor-ready tracks. The vibe of this release is about 50/50 house and techno, but there’s a little flirtation with footwork in there. Overall it’s a really versatile collection of remixes.

Place your holds now, and see you in the new year!

Listen Up! New Music Arrivals for October

Black Violin Cover

Grab some hot new albums to warm up your fall nights. These are my top new arrivals for October: place your holds now!

Black Violin – Stereotypes (Classical Crossover) an engaging fusion of classical, hip-hop, funk, and RnB. Thought-provoking lyrics are layered over a rich tapestry of classical arrangements, driven ever forward by an ebb and flow of hip-hop beats. Playful instrumental tracks make the closet dancer in me want to find a choreographer to start planning some routines. This album has so much to offer such a wide spectrum of listeners that I can’t help but love it

Girlpool CoverGirlpool – Before The World Was Big (Wichita Recordings) Rocker duo Cleo Tucker and Harmony Tividad prove that less is more in their latest release. Before the World was Big manages to be bright, airy, and delightfully ragged around the edges: part punk, part folk. All of this is accomplished with a guitar, bass, and sans drums. Girlpool reminds me just a bit of some of The Breeders’ later material: simple and wonderful.

Apollo Saturday Night CoverVarious – Apollo Saturday Night/Saturday Night at the Uptown (Real Gone Music) This collection is absolutely packed full of classic soul hits from the 1960s. I love the raw energy of the live performances, amped up a notch because you can hear the young crowd wildly screaming and singing along to their favorites. It’s so easy to close your eyes and imagine how much fun it must have been to be on the dance floor at one of these shows.

Julio Bashmore CoverJulio Bashmore – Knockin’ Boots (Sony Music Entertainment) for long-term veterans of the electronic music scene, house music never went away; for the general public there’s a revival of sorts going on right now. Julio Bashmore is one of the happy byproducts of this renewed interest. This album isn’t another rehashing of well-worn stylistic elements to pander to old-school purists;  it pulls from a wide range of electronic music genres to create tracks that are a fresh look at the synthy Warehouse-style house music of the 80s.

Arcs Cover ImageThe Arcs – Yours, Dreamily (Nonesuch Records) A smooth, blues-rock and RnB album that’s hard to pin down. Yours Dreamily is an apt title for the vibe. It meanders its way through psychedelic and trip-hop bursts from track to track, always with gritty reverb-soaked overtones to punch things up a notch.

Staff Picks: the Music Edition

One of the best things about working in a library is that you can never complain about the lack of new discoveries. Whether it’s an interesting reference question that takes you down a rabbit hole into a topic you’d never thought much about, or chatting with your colleagues about their likes and dislikes, you’re bound to learn something. For that reason, I love talking to people about their favorite music. I enjoy listening to new things, but have to admit I can get stuck in a rut listening only to music that is familiar. So, I decided to reach out to some of my colleagues to ask about their favorite music for the benefit of our dear blog readers.

Carol

Walk the Moon – Walk the Moon (RCA Records)
My husband and I may quite possibly be the oldest people to rock out at their concerts, but Walk the Moon has been my absolute favorite for the last three years. At a WTM concert in 2013 I had a girl tell me, “OMG You know all the words to the songs!” When they were here in March I had an injured foot, so guys, I apologize for having to literally sit the concert out. I swear Kevin was staring holes into my forehead like, “Girl, get moving!” But it allowed me to snap this photo.

Walk the Moon in Seattle

Best known for the oft-played Anna Sun, these four happy-go-lucky guys from Cincinnati are up for an MTV Music Video Award for Shut Up and Dance from their new album Talking is Hard. If you like upbeat rock with fast keyboards and killer guitar riffs, you will love WTM.

Some others that evoke similar upbeat happy feelings with catchy lyrics you’ll be singing in your sleep:
St. Lucia (song: All Eyes on You)
Misterwives (song: Reflections)
Passion Pit (song: Lifted Up)
Big Data (song: The Business of Emotion)
The Paper Towns soundtrack (song: My Type by Saint Motel)

Ron

The Cramps album coverThe Cramps – Songs the Lord Taught Us (A & M Records) is perhaps one of the most innovative rock albums created since the beginning of time and space. Lead singer Lux Interior was a true 50s-style rockabilly crooner emoting over guitar leads from a slightly alternabilly universe, as well as distant buzzsaw chords borrowed from nightmarish experiments. Drums are simple, sounding as if any fill might end with the entire kit falling over. And lush reverb envelops it all. Some label them garage or punk, others as the creators of psychobilly. Labels aside, they are forgers of new territory whilst maintaining solid roots in traditional rock and roll. I recommend their cover of Little Willie John’s Fever as an eye-opening, mind-imploding aural extravaganza.

Kate

Eminem – The Marshall Mathers LP 2 (Aftermath Records). Just when everyone thought Eminem was washed up, he surprised everyone and dropped this great album. I’ve been heard to say it’s to Eminem what Ray of Light was for Madonna. It doesn’t matter if he never issues anything better; this album solidifies Eminem’s place as one of the very few Kings (with a capital “K”) of hip-hop. Please note: Eminem’s subject matter and content remains socially irresponsible and potentially offensive.

Minor Threat album coverMinor Threat – Complete Discography (Dischord). 1983’s Out of Step is a landmark punk album and all of its songs are included in this collection. In Minor Threat’s short career they didn’t have much opportunity to create a bad song; every song here evokes the time when the gritty east-coast punk sound was just emerging.

X – Los Angeles (Rhino Entertainment). Thanks to The Doors’ Ray Manzarek’s interest in the band, this album sports a high production value that might have seemed contradictory to a seminal west-coast punk album, if it weren’t for X’s inimitable and distinct style and sound. This would be on my deserted island list for sure.

The Antlers album coverThe Antlers – Familiars (Anti-). Most agree Familiars is an intentional follow-up to the soul-crushing but gorgeous death-themed Hospice, and that’s a compliment of the highest order. The Antlers can take you to the deepest depths but their sharp wit and lovely arrangements won’t leave you there for too long. I recommend listening with headphones in order to catch all of the musical and lyrical subtleties.

Perfume Genius – Too Bright (Matador). For me, this record was a happy accidental discovery; I plucked it off of a library display on a whim, and I was immensely rewarded. Described as “Chamber Pop,” the album is rich with raw LGBTQ themes that feel so relevant at this moment in history. As it happens, this album was partially recorded in Everett.

Arcade Fire album coverArcade Fire – Funeral (Merge Records). If you haven’t heard it before, stop what you are doing and immediately go listen to Arcade Fire’s 2004 debut release. It includes (what arguably became) the band’s anthem, “Wake Up”, a song that sparked an entire musical genre’s obsession with large-group vocal harmonizing. This also makes my deserted island list.

Richard

vietcongViet Cong – Viet Cong (Jagjaguwar). If it wasn’t for Lisa’s recommendation, I wouldn’t have stumbled upon this dynamite Canadian four piece group. Their sound is post-punk with a little bit of synth and a lot of angst thrown in. Each song inhabits that great space between carrying a tune and totally falling apart. Plus how can you not love a band with a song titled “Pointless Experience”?

Chvrches – The Bones of What You Believe (Glassnote). Be forewarned, this is heavily crafted electronic music with nary a guitar lick in sight. With strong vocals, great hooks and extreme precision their music flirts with going over the top, but the lyrics keep it grounded in the world of break ups and existential ennui. A new album, Every Open Eye, will be coming out in September.

Me (Lisa)

I’ll keep this short since I already spend a lot of time talking about my musical tastes.

Daft Punk – Homework (Virgin) Long before the robot helmets and sold-out massive festival events, there were two gangly French dudes making amazing house and techno in a field somewhere in Wisconsin. Not long after Daft Punk’s first North American appearance at Further 1996, they released their bombshell debut album, Homework. For the first time in the US, tracks that we’d only heard at underground parties were getting a ton of play on mainstream radio channels, and videos in heavy rotation on MTV. Almost 20 years later, I can throw this album on and still want to dance.

Frankie Knuckles cover imageDefected Presents House Masters: Frankie Knuckles (Defected Records) Another trip down electronic music memory lane. For anyone interested in the roots of today’s EDM, this retrospective of the late, great Frankie Knuckles is an absolute must. Take a trip back to the Warehouse days of Chicago, when house music was brand new, and had yet to become a global music phenomena that spawned countless genres of dance music.

Place your holds and listen along with us. For the next couple weeks different staff members will be maintaining a ‘staff picks’ music display at the main library. Keep your eyes peeled for more great recommendations there.