I’m hoping somebody can tell me where the summer went. Between visits from family, the Summer Reading crush, Eclipse excitement and (SURPRISE!) two weeks of Jury Duty, the summer has been a whirlwind and a half. With kids out of school looking for entertainment and excited to do some pleasure reading this is my favorite season in the Library. It is also by far the most exhausting.
So while it is bittersweet to see all of our young patrons head back to school this week, I will confess that I am looking forward to the structured schedule of the school year. It also happens that a lot of books I love are steeped in the petty grievances and serious identity crises that come with starting at a new school. Here are a few of my favorites:
Whitney Gardner’s You’re Welcome, Universe centers on a young woman named Julia. Julia is deaf, and has always been surrounded by the deaf community: her best friend is deaf, as are both of her parents, and she attends a high school for the deaf. When Julia is betrayed by a friend, however, she is expelled from her school and faces the daunting task of attending a public school where the vast majority of students and teachers struggle to communicate with her, where she has to use a (really annoying) translator, and where no one knows her or seems terribly interested in getting to know her.
But Julia has even bigger problems. A budding graffiti artist, Julia is chagrined to find that another painter is changing her works, adding to them but also improving upon them. Julia feels humiliated and violated by this challenge to her art and sets out to best this mysterious new tagger all while navigating her new school, making new friends, and confronting old ones. Gardner does something very clever to help the reader understand Julia’s communication frustrations. When people try to talk to her and she struggles to read their lips, dialog will have some words missing, replaced with “——-.” This decision ingeniously drops the reader into Julia’s shoes, forced to decipher meaning based on surrounding context.
Like Julia, Riley Cavanaugh, the narrator of Jeff Garvin’s Symptoms of Being Human, has a lot going on. Starting at a new high school is bad enough for Riley who is already prone to anxiety attacks. But on top of that are the expectations of Riley’s father who is running for reelection in a hotly contested congressional race. Between the pressure to make friends, blend in, “act normal” and not screw up, it’s no wonder Riley is feeling stressed. But Riley is also dealing with something else – a secret that only Riley’s therapist knows. Riley identifies as gender fluid. A far-too-simple explanation would be that sometimes Riley wakes up feeling male, and sometimes Riley wakes up feeling female. But as Riley says “…it’s not that simple. The world isn’t binary. Everything isn’t black or white, yes or no. Sometimes it’s not a switch, it’s a dial. And it’s not even a dial you can get your hands on; it turns without your permission or approval.”
To try to cope, Riley starts a blog and is shocked when posts start going viral. Riley begins to settle in, make a few friends, discover a potential romantic interest, and find some respite from all of life’s external pressure. But good things never last. A blog commenter seems to have uncovered Riley’s identity and is threatening to out Riley. Now Riley must decide whether to shutter the blog and betray those who have come to depend on Riley’s posts or to stand proud and risk the judgment of friends and family as well as possibly ruining Riley’s father’s political career.
In American Street, by Ibi Zoboi, Fabiola Toussaint is a young Haitian immigrant who lands in Detroit ready to embrace the American dream. From the start, however, things do not go as planned. Her mother, who was supposed to accompany her, is detained by Immigration and Customs Enforcement officers in New Jersey and Fabiola arrives alone, meeting her aunt and cousins for the first time. American culture and expectations to assimilate immediately overwhelm Fabiola, but her resilience and determination ensure that this is not a derivative fish-out-of-water story.
Fabiola’s fierce cousins, known as the three Bees (brains, brawn and beauty), are respected and feared affording her a measure of protection in the neighborhood while also helping her find her place in school. Fab quickly begins to settle in, but is torn between her desire to conform and her devotion to her Haitian identity. She also begins to realize that her aunt and cousins might be involved in some unsavory dealings and that in order to help her mother, she may need to betray the family that welcomed her in Detroit. Though her mother is far away Fab is never alone. All around Detroit Fab sees lwas, Vodou spirits, who help guide her and warn her of impending danger. These visions give American Street a surreal mysticism that edges towards magic realism while also lending authenticity and depth to Fabiola’s immigrant experience.
One of the reasons I love YA fiction is the way its talented writers impart empathy in their work. I’m fortunate to have decent hearing, I’m not an immigrant, and until I read the Symptoms of Being Human my understanding of gender fluidity was rudimentary at best. All three of these works do a masterful job of weaving diverse perspectives into their work, helping the reader to understand the lives of others without overpowering their works’ compelling narratives.
And now for something completely different! In the ongoing series, Deadly Class, Marcus is a homeless teenager simply trying to survive. Sure he has some demons in his past and the police would like to speak with him, but otherwise he seems like a decent guy. A new world is opened to him when he is invited to attend King’s Dominion High School for the Deadly Arts, a school dedicated to training young assassins. Suddenly Marcus finds himself thrust into a world of precocious young killers, the children of gang leaders, mob bosses, drug kingpins, and genocidal dictators. Marcus must learn to carefully navigate the halls of this school unsure of who to trust because he is certain that if he can survive he can take revenge on the people who destroyed his own family. This beautifully illustrated comic is profane, thrilling, hilarious, and incredibly difficult to put down.