By my amazingly accurate calculations, Everett Public Library added 160+ rock and country albums that were released in 2016 to its CD collection. Of those, 15 albums are by Northwest artists. So what’s hoppin’ in America’s upper left-hand corner? Let’s find out, shall we?
We’ll start in the southern quadrant of the PNW. Portland has an explosive music scene, and many of the local acts have gained national recognition. One of the more successful PDX bands is indie rockers the Thermals, and their latest album, We Disappear, shows that the success is deserved. Featuring music that’s loud and raw yet still intimate, We Disappear is filled with fun, fuzzy, lo-fi power pop and heavy lyrics touching on the ability of technology to isolate people. If you like energetic and edgy rock, check this one out.
Another Portland success story is bassist, singer and songwriter Esperanza Spalding. No slouch, Spalding has won four Grammy Awards, was Jazz Artist of the year in 2011 and was selected by Obama to play at the Nobel Peace Prize Concert in 2009. (This elicits an involuntary Wow! from me.) Her latest, 2016’s Emily’s d+evolution, is hard to categorize. Elements of jazz, rock and funk pervade the album, and songs vary wildly in feel and style. The music is poppy yet bizarre. For those living beyond the edge of our musical galaxy, this is an outstanding album.
Next stop to the north is Seattle.
Car Seat Headrest began as Will Toledo’s lo-fi recording project, releasing 12 albums on Bandcamp and developing a large online following. He signed a deal with Matador Records in 2015 and just this year began touring with a full band. Teens of Denial, the band’s 2016 release, takes the group in a new direction while retaining Toledo’s strong songwriting and trademark lo-fi sensibility. The music is quite varied from song to song, always staying close to the world of pop, but also exploring post-punk and other quirky genres. The album has been well-received and points to great things yet to come.
7 Year Bitch was an all-female punk band that played from 1990 to 1997, so it might seem odd that they’re included in a review of 2016 releases. Well, a recently-found recording of the group performing at Seattle’s Club Moe in 1996 was released in 2016 as Live at Moe. Fortuitously, this performance came when 7 Year Bitch was at its peak, so the CD is a most excellent listen. Lyrics are filled with social commentary and the music leans toward a riot grrrl/punk aesthetic. If you prefer the raw DIY sound, check this one out.
Other Seattle releases include Beautiful Broken by long-time rockers Heart, Tacocat’s mixture of pop-punk and feminism on Lost Time, the noise rock of So Pitted on Neo and the psychedelic garage rock of Night Beats on Who Sold My Generation.
Finally, a short hop on I-5 takes us to Everett.
In the last two years the Everett music scene has, well, started to exist! A crop of bands are playing shows, releasing albums and having success. 2016 saw the release of two local 3-song EP’s, What Is Crystal Desert? by Crystal Desert and Walking Blind by Tellers (the band formerly known as Preacher’s Wife). Crystal Desert describes itself as post-punk, garage and psychedelic, and this seems fairly accurate. Their music has a mix of influences from the dark side, crunchy guitars, a bit of a heavy sound. Overall their offering is quite enjoyable, and these lads show the potential for better things yet to come. Walking Blind is filled with slow tempos and dramatic vocals, music akin to soundtracks and the stuff found in dreams. Tellers self-describe as dark and heavy with a post-rock influence. Check out both of these groups to see what’s going on in your own town!
And this is just scratching the surface of Northwest rock. Check out our ever-expanding Local Music collection to find some more gems. And yes, we have a New Music display as well! In the immortal words of the Ramones: We want you to check out some groovy CDs from your local library!