And the Librarian Said, “Read This!”

How’s your summer reading challenge coming along? One of this year’s challenges is to read a book recommended by a librarian. Since I know you don’t always have time to chat when you stop in, I asked my colleagues to offer up some suggestions for you.

Dazzling insights, well researched and footnoted, lots to learn, with sparkling prose style, this is one of the best book I’ve read on the subject. Love for Sale: Pop Music in America by David Hajdu covers pop music from the era of song sheets in the late nineteenth century to contemporary digital delivery. Compulsively readable, it works for every level of reader, from a scholar interested in how pop has evolved in content, style, and delivery over the years to those who want to relate to Hajdu’s observation of cultural and personal connections. Highly recommended.
From Alan, Evergreen Branch Manager

If you have a taste for historical fiction, speculative fiction, and are open to reading Young Adult novels, I’ve got a couple books that may be right up your alley. Front Lines is the first book in a new series by Michael Grant about what World War II would have been like if women had been included in the draft. I really enjoyed the character development, and found the plot to be exciting and unique.
I’m waiting eagerly for book 2 to come out, but in the meantime I started another series called Wolf by Wolf by Ryan Graudin. Wolf by Wolf revolves around the idea that the Nazis and Imperial Japan emerged from World War II victorious, and that the United States never became involved. Yael escaped a Nazi medical experiment with an unusual new ability and has joined the resistance. Yael’s assignment is to infiltrate the annual Axis Tour – a motorcycle race that spans Nazi and Imperial Japanese territory – win, and kill Hitler. This book reads like a spy novel and an extended car chase all wrapped up in one.
From Lisa, Northwest History Librarian

Do you love historical fiction? Do you love dragons? How about a series that combines them?? Naomi Novik’s Temeraire series begins with His Majesty’s Dragon, in which Captain Will Laurence is serving in the Royal Navy right in the thick of the Napoleonic Wars. His ship captures a French frigate bearing precious cargo…an unhatched dragon egg. You see, dragons have been domesticated (to the extent that’s even possible) to serve with the Aerial Corps, allowing Aviators to attack from above, dropping bombs and other projectiles onto the ships battling on the high seas. The Pilots – chosen by the dragons and not the other way around – develop tight bonds and steadfast partnerships with the powerful and capricious beasts. When this particular dragon hatches, it chooses Will. This is a problem. A big problem. Will has been in the Navy since boyhood and therefore has no training to be an Aviator, plus he is on the point of becoming engaged, and his new calling renders marriage virtually impossible. His first adventures with Temeraire take them to China and back against the backdrop of a volatile international conflict, and there are nine books to enjoy filled with more exploits and intrigue! I love Jane Austen and fantasy, so this is basically the perfect series for me.
From Sarah, Youth Services Librarian

I first read The Ha-Ha by Dave King in 2005 and recently came across it while browsing the main library’s top-drawer fiction collection. This is a graceful, measured debut both sad and funny. The plot circles round middle-aged Howard, who is unable to speak, read or write due to head injuries suffered in the Vietnam War. He lives in the house he grew up in with an assortment of entertaining boarders and spends his days tending the gardens of a convent. When Sylvia, Howard’s ex-high school girlfriend, heads for rehab, she saddles him with Ryan, her taciturn nine-year-old son. With many heartwarming passages that don’t turn sappy thanks to King’s prosaic writing style, it’s a heckuva ride for both of these quiet souls.
From Joyce, Adult Services Librarian

I couldn’t limit myself to just one, so here are two titles for your listening and reading pleasure this summer. The Girl With All the Gifts by M.R. Carey does have the dreaded Z word in it, zombies that is, but there are no maniacal governors or hordes of decaying extras here. Instead you get an intense five person character study set in a ‘post incident’ Britain that keeps you guessing and makes you actually care about who survives and who doesn’t. The ending is also top notch and quite unexpected. I listened to the audio version and the narration was excellent as well. Under Another Sky: Journeys in Roman Britain by Charlotte Higgins is also about an imagined Britain but this one in the past. The author travels the country on foot and in an unreliable VW Camper van visiting what remains of Roman Britain. Admittedly, compared to the European continent the ruins are a tad sparse, but that only adds to the mystery. The result is an intriguing travelogue that is as much about how we create the past as it is about the physical structures themselves.
From Richard, Adult Services Librarian

Do you love fantasy and enjoy resilient female characters, strong family bonds, and fast paced adventures? You should read Prisoner of Ice and Snow by Ruth Lauren! Online, this book is described as equal parts Prison Break and Frozen. I see the resemblance! Valor’s twin sister, Sasha, has been sentenced to life in prison at Tyur’ma for stealing a diplomatically-important item from the royal family. Valor knowingly gets herself sent to this harsh and freezing prison so she can attempt to free them both; never mind that nobody has ever escaped in the 300 year history of this prison!
While it’s true this book is aimed at middle grade readers I’d definitely recommend this for fans of any age who are into The Hunger Games or Princess Academy.
From Andrea, Youth Services Librarian

When taking lunch-time walks in north Everett, I have occasionally seen people’s belongings strewn across front yards, looking abandoned and pathetic. Although I do know that Everett residents are poorer than people living elsewhere in Snohomish County and I have read about the high cost of renting and the scarcity of available affordable units, I knew next to nothing about the eviction process and how it affects the lives of tenants and landlords.
Matthew Desmond’s book, Evicted: Poverty and Profit in the American City, caught my attention when I was thinking about possible authors for our Everett Reads: Beyond the Streets series. Desmond, a Harvard sociology professor, was named a MacArthur Fellow in 2015 for his work on the impact eviction has on the lives of the urban poor. His research sounded both interesting and relevant.
We couldn’t afford Professor Desmond’s speaker’s fee, but I read the book, and I would encourage you to read it, too. This is no dry sociological study. Rather Desmond uses the stories of real people to introduce the reader to the economics and politics behind eviction—and the consequences suffered by the adults and children who find themselves at the mercy of a process that disrupts lives. Evicted is essential reading for anyone trying to understand the lives of the urban poor and the importance of stable housing.
From Eileen, Library Director

Short Nights of the Shadow Catcher: The Epic Life and Immortal Photographs of Edward Curtis by Timothy Egan
I’d recommend this fascinating biography to anyone interested in American history, photography, or Native American cultures. Edward Curtis, a brilliant Seattle photographer, spent decades crisscrossing the country to capture and preserve images and language from the “dying race” of Native Americans in the early 20th century. The book reads like a fast-paced adventure story, and readers travel along to locations as diverse at the Puget Sound, the Great Plains, the Grand Canyon, and even Teddy Roosevelt’s White House. This book did what all great narrative non-fiction does: it kept me enthralled with a strong story and piqued my curiosity about new topics and ideas. It would be a great choice for fans of authors Erik Larson and Gary Krist.
From Mindy, Northwest History Librarian

Please Kill Me: The Uncensored Oral History of Punk by Legs McNeil & Gillian McCain
Bar none, one of the best books about music ever put together. I say “put together” because these are the real words from Iggy Pop, Joey Ramone, Jim Carroll, Malcom McLaren, Danny Fields, and many other artists and impresarios collected and used to define punk by the creator of the legendary Punk Magazine from that era. Comprehensive, you’ll thrill to Punk’s prehistory in the early 70’s (Stooges, Velvet underground) to its late 70’s heyday (Sex Pistols, Clash, Ramones) through to its last gasps in corporate eighties rock. Highest possible recommendation. Bonus: the 20th anniversary edition includes new photos and an afterword by the authors.
From Alan, Evergreen Branch Manager

To recommend a book to you, I would need to know your particular interests, taste, and what you’re in the mood for at the moment. But if you’re stretching yourself by doing our reading challenge anyway, I might as well suggest a challenging book. And I get to take the easy way out by recycling a review I’d written for Alki, the state’s library journal, many years ago.
Nathaniel Mackey is a renowned poet who has also written a sequence of novels called From a Broken Bottle Traces of Perfume Still Emanate. The review below is for the third book of the series, and you can just as easily start here as at the beginning. These books won’t appeal to every reader, and the library’s copies have gone largely unread, so I challenge you to get off the beaten path and to dive into the extraordinary language of Mackey’s jazz-band world.
Atet A.D. by Nathaniel Mackey
This epistolary novel covers the goings-on in a jazz band immediately following the death of Thelonious Monk in 1982. The language is superbly jazz-like as Mackey riffs and improvises on words and phrases – playfully filling his sentences with homonyms and syntactic variations, and parsing words to find others underneath or contracting them to build new ones. N., the narrator, is a musician and composer in the band, and through his letters we learn of his creative processes and critical insights as he attempts to push boundaries and build upon the works of the jazz greats that have preceded him – especially those from the post-bop and free jazz eras. The band’s musical drive and determination take them, at times, beyond the confines of the everyday world into one that countenances telepathic and metaphysical communication. While some of this certainly strains credulity, Mackey’s linguistic flights compensate as he transforms language into an instrument of amazing semantic agility and linguistic power (a chapter in which the band plays in Seattle has Mackey in peak form). This is not your standard plot-advancing or character-driven novel, but if you like both your jazz and fiction improvisatory, challenging, and playful, this might be right up your alley.
From Scott, Adult Services Librarian

Ever since the New Yorker published an article in 2015 about the long overdue major earthquake along the Cascadia Subduction Zone, I’ve spoken to a lot of patrons at the library who were hoping to learn more. Full Rip 9.0 by Sandi Doughton is the perfect book to learn more about the science behind these dire predictions, as well as how much (or how little) you need to be concerned about this event depending on where you live. More importantly this book helps outline very simple things that you and your family can do to help you ride out the aftermath of a major event, whether it’s Cascadia Subduction Zone related or otherwise.
A very useful book that makes a good companion to Full Rip 9.0 is The Unthinkable by Amanda Ripley. Ripley looks into several different kinds of disaster scenarios, from natural disasters to man-made ones, and dissects the steps taken by survivors, and those who perished. While on the outside this might sound like a macabre book, it’s actually pretty reassuring, because it reinforces the importance of planning ahead for the unthinkable so that your instincts are ready to guide you to safety should the need ever arise. Ripley also delves into the psychology of survivors, debunking some common misconceptions about how people react in disaster scenarios, and who may be more likely to fare well.
If these two books whet your appetite to learn more about how to be prepared, I also highly recommend looking into the Community Emergency Response Team (CERT) training offered periodically for free for Everett residents and workers. Even if you don’t ultimately register to be an emergency response worker, attendees walk away with some very useful information that can be used to prepare their households and neighborhoods.
From Lisa, Northwest History Librarian

So there you have it. Another challenge is in the books! [See what I did there?] Stay tuned over the next several weeks as I bring you more books to help you conquer your summer reading challenges!

It Slices, It Dices, It’s Shonen Knife!

Let's Knife

It’s time to enter the garage. Via Japan.

But first, let me tell you a little story. The year is 1981. In the megalopolis of Osaka, known worldwide for its sake, three young women start a band that’s different from the typical J-pop group. Combining influences from 60s girl groups, garage and punk rock, the trio create a poppy yet punky sound that is unusual in their home country. In less than 10 years they will be hailed by Kurt Cobain and other leaders of the alternative rock scene.

Now it’s 36 years later. And the band plays on.

Osaka Ramones

Shonen Knife is an unusual creature, not really fitting into any convenient niche. Although they are most closely associated with a Ramones-like sound, their poppy and somewhat frail vocals immediately put them in a different category altogether.

(EVERYONE: THEIR POPPY AND SOMEWHAT FRAIL VOCALS IMMEDIATELY PUT THEM IN A DIFFERENT CATEGORY.)

 Er, yes.

Powerpuff

Throughout their career Shonen Knife has delivered their own take on punk, garage rock and 60s pop, creating a unique amalgam. In fact, if there is a Shonen Knife sound, it would be poppy vocals over heavy music. The term pop punk, most often applied to bands that sound like Green Day, is not what I’m talking about here. Pop punk is fast, catchy music with a bit of an edge to the guitars. It’s homogeneous. Shonen Knife combines two sounds that really don’t fit together that well. But, and this is the important bit, they make it work. Recent albums focus on heavy metal (Super Group from 2010, Free Time from 2011), punk (Tribute to the Ramones from 2011), 60s pop (Pop Tunes from 2012) and 70s hard rock (Overdrive from 2014 and Adventure from 2015). Yet they all sound like Shonen Knife.

Lyric content definitely provides some continuity for the group. From early on, songs have focused on food (Sushi Bar, Wasabi, Fortune Cookie), animals (Parrot Polynesia, Bear Up Bison, Like a Cat) and science fiction (Planet X, Riding on the Rocket, Robot from Hell). In fact, it’s safe to say that SK’s lyrics are pretty weak in general. And this is not a criticism! Pop music is built on inane lyrics (There’ll be rainbows reachin’ cross the sky and we’ll both be so happy we will cry from The Monkees song The Day We Fall In Love). It’s practically required that pop music lyrics be absurd!

Overdrive

The 2014 album Overdrive (which was part of the EPL collection until recently) is a good place to start your acquaintance with these ladies. Filled with great hard rock riffs (Green Tea, Shopping), jangly dream rock (Fortune Cookie) and that “typical” Shonen Knife sound (Jet Shot), Overdrive gives an overview (clever wordplay alert!) of the band’s oeuvre. Why, Robot from Hell, a most excellent hard rock tune, is in itself worth the price of checking the album out!

Thirty-six years is a mighty long time for a rock band to successfully exist. Band members have left, been replaced, returned, had babies, quit, got a haircut and returned. They have toured extensively and released 20 albums. And still the music pours out of them.

So if you need a little spring in your step, a little cheer in your soul, get thee behind Shonen Knife. And as you go out into the world today, keep these lyrics from Bad Luck Song close to your heart:

The bad luck song might be my good luck song
This is the best way of thinking
Let’s take it easy
Change the way you’re thinking

Listen Up! July New Music Arrivals

Image showing nine different album covers in a tile-like formation. Album covers are faded out, and there is text superimposed over them that reads "Listen Up! July New Music Arrivals"

Here’s your short list of what’s been pouring through the doors at the Everett Public Library. Place your holds now, and pick up some new tunes to keep your summer moving.

Soulwax – From Deewee (PIAS America) – Infectious, dance-floor-friendly electro full of rich layers. Soulwax accomplishes the delicate balance of maintaining their tried and true sound, honed over two decades, without sounding kitschy and dated.

Faith Evans & Notorious B.I.G. – The King & I (Rhino Records) – Many people have mixed feelings about posthumous ‘collaborations.’ They can seem like a cash grab, and the departed musician’s artistic intentions and vision can never truly be represented. Regardless of these criticisms, this album is worth a listen. The interview clips of Biggie are of interest and Evans as a vocalist is a powerhouse who is clearly pouring love and affection into this project.

Somi – Petite Afrique (Okeh)– Gorgeous vocals, bright melodies, jazzy drumming, and an afrobeat undertone. Somi explores the African-American experience living in Harlem, as well as those of African immigrants blending cultures in the New York City melting pot.

Paramore – After Laughter (Fueled by Ramen) – The latest from Paramore kind of reminds me of classic Sugarcubes with loud vocals, cheery new wave instrumentation, and jarringly-contradictory lyrics, full of angst and anger.

Juana Molina – Halo (Crammed Discs) – Melodic, dancy, mysterious, and playful. I’ve seen this described as “folktronica,” and I think this fits the album nicely. Molina effortlessly merges synths and folk melodies to support a loose narrative based on the Argentinian and Uruguayan myth of the “luz mala” or evil light.

Saint Etienne – Home Counties (Heavenly Recordings) – Upbeat indie rock with lots of harmony and a sense of place very strongly tied to the commuter areas surrounding London. This eclectic album features some dance-floor tracks and sometimes even a little 60s go-go feel.

Harry Styles – Harry Styles (Erskine/Columbia Records)– This is Styles’s debut solo album after leaving the boy band juggernaut that was One Direction. I almost hate to mention his past work in the boy band genre because that may drive some people away from this record. In reality, Styles achieves a beautiful, melancholy mix of tracks that rocks when it needs to. His sound is a little folky with a tendency towards ballads; very minimal but satisfying.

Mali Music – The Transition of Mali (RCA) – Soul, RnB, and little hip hop mixed in. Mali Music has a smooth, sensual sound, with rich, multi-layered vocals. You can’t pin this very versatile album down to one genre; it switches from beats and samples to classical piano melodies and strings.

Roger Waters – Is this the Life we really want? (Columbia) – A moody, gritty, raw offering from the Pink Floyd frontman. Waters remains an unflinchingly critical analyst of modern society and popular culture.

Ani Di Franco – Binary (Righteous Babe Records) – The words that this album brings to mind for me could sound unflattering to someone who may not have ‘come of age’ with Ani playing in the background: comforting, no surprises, reliable. Ani Di Franco is an artist who, while always exploring collaborations with a very wide range of musicians from different styles, has created a signature sound that is unmistakably hers. Binary showcases her unique blend of folk, funk, and rock that lulls you into a groove while at the same time excoriating the shortcomings of the world we live in.

The Secret Sisters – You Don’t Own Me Anymore (New West Records) – Real-life sisters Laura and Lydia Rogers return from a dark period of court battles and bankruptcy to release their third album. Their hard-luck story and abundant musical talent attracted the interest of Brandi Carlile, who produced this latest offering. The result showcases the sister’s songwriting prowess and beautiful ability to harmonize in a mix of sleepy, soulful country and bluegrass sounds.

Little Cub – Still life (Domino) – Socially critical lyrics over a satisfying electro soundtrack? What’s not to love? The analog synth work on this debut album brings to mind the well-honed sounds of New Order or Depeche Mode in their prime.

Ifriqiyya Electrique – Rûwâhîne (Glitterbeat Records) – This album is really hard to define – the closest I can pin it to is tribal industrial music. François Cambuzat and Gianna Greco have teamed up with a group of Tunisian Banga ceremonial musicians to blend their traditional trance dancing chants with grinding guitar riffs and bass-heavy production. The end result is a bit ominous and absolutely mesmerizing.

Yola Carter – Orphan Offering EP (Carter Records) – Loads of twang and folky strings, backing raw and powerful vocals. Carter’s ballads can swing from sleepy to soulful at a moment’s notice. This album is a bit of a late arrival, having been released at the end of 2016, but it’s well worth the listen.

I’m Not An Animal!

Ah, once again it’s those lazy, hazy (dare I say crazy?) days of summer when a young man’s thoughts turn to hydroplanes and water cannons. And The Great Rock ‘n’ Roll Swindle. And lime rickeys. But mostly to the Swindle.

Punk rock was doomed from its beginning. Any art form that’s do-it-yourself, non-mainstream rebellion against commercial art is eventually going to become codified and commercially successful on some level, thus transforming into the very thing that it mocks. The Sex Pistols, who defined punk rock, also defined the death of punk. Formed in 1975, dead in 1978, the Pistols’ influence is immeasurable, but their existence was quite short.

I’ve come to realize that by the time I was listening to the punk rock in Suburbia, USA (which was before most of my suburban contemporaries) it was no longer even a going concern. In January 1978, Johnny Rotten quit the Sex Pistols. He wanted to create groundbreaking music, not something that fit into the punk formula. It was probably another year before I even discovered the Pistols, dead on arrival.

BollocksThe lads only put out one official album, Never Mind the Bollocks, Here’s the Sex Pistols, but it provided fodder for a generation of musicians. Harkening back to a simpler time in the rock & roll world, a time of three chords and reckless abandon, the Pistols’ music provided welcome relief to the ever-more-complex album-oriented-rock of the 70s. Suddenly, it was okay for anyone to make music, to make a record. This above all else provided immeasurable influence on future musicians.

LiveIn addition to Never Mind the Bollocks, a variety of unofficial and semi-official releases have surfaced over the years. One of these is Live & Loud, a recording from the Pistols’ last show (other than reunions), January 14, 1978. Perhaps not the best collection to use as an introduction to the band, this raw recording does give the listener a chance to hear the seminal punk band live, 40 years after the fact!

SwindleAfter this performance Mr. Rotten quit the group, but the rest of the band carried on long enough to record a few songs for Malcolm McLaren’s 1980 mockumentary, The Great Rock ‘n’ Roll Swindle. McLaren was the Pistols’ manager, having created them in much the same manner as the Monkees had been put together 10 years before. The posthumous movie purported to be about the Sex Pistols and McLaren, but it was actually more along the lines of A Hard Day’s Night. And, perhaps most importantly to Sex Pistols fans, it included footage of the band.

The film’s soundtrack is a veritable melting pot of genres and quality, ranging from raw Sex Pistols demos to a disco Pistol medley to Sid Vicious croaking his way through Frank Sinatra territory. It’s not really an album that one sits down with to enjoy song after song. Rather, it’s a spectacle filled with piratey choruses, French folk music and a generous helping of covers. The disc appeals to me in the same way as Eraserhead or a nine-car pileup on the interstate: I can’t seem to look away.

So as the sun rises high in the sky and threatens to boil the whites of your eyes, keep cool with the Pistols. I think we can all agree that they said it best in their song Bodies:

I’m not a throbbing squirm

P.S. Don’t forget the lime rickey.

Listen Up! May New Music

Collage of album covers with "listen up" written over them

Spring is flying by, and it appears that May is giving us a sneak preview of summer as a makeup gift for all the rain we had over the last few months. The timing is just right, because we just received a batch of new releases that would make a great soundtrack for a night of grilling, hanging out on the deck, or taking a walk around the neighborhood. Place your holds now, and check out the latest at the EPL:

Les Amazones d’Afrique – Republique Amazone (Real World Records, 2017) – Les Amazones are an all-star collective of West African songstresses who have united to create music about feminism and gender equality. Each vocalist brings her own unique style to the table, creating a very satisfying mix of rock, trip-hop, dub, blues, electronic, jazz, West African pop, and traditional music. The overall effect is a very dance-floor-friendly approach to protest music.

Feist – Pleasure (Interscope Records, 2017) – This is an album that covers a lot of ground with ease: at times blues rock with very subtle country undertones and others grinding and almost punk. The pace of the album seems very laid back but deliberate; each track follows its own timeline, building to just the right level of complexity to perfectly complement the vocals. I appreciate the contradictions: gritty and lovely – soft vocals and loud riffs. There’s something about the production, imperfect with the pop and hiss of an old mix tape, that makes it feel very intimate.

Mary J. Blige – Strength of a Woman (Capitol Records, 2017) –  Mary J. Blige brings us a classic breakup album with all the anger, pain, strength, and redemption that you’d expect from such a legendary artist going through some pretty intense pain. Cameos by Kanye West, DJ Khaled, Missy Elliott, and Kaytranada only enrich an already strong offering. As in all her music, Blige shares her struggles through her art and uses the medium to pull herself through life’s trials – in Strength it appears she is, once again, emerging from the test on top.

Wale – Shine (Atlantic Urban, 2017) – a deceptively upbeat release with a summer feel, but behind each track lies a little bit of darkness. Wale seems to be emerging from a period of struggle both with other artists and with himself. The arrival of his newborn daughter seems to be a strong driving force for this change and also a reoccurring theme in his music.

Perfume Genius –No Shape (Matador, 2017) – Mike Hadreas’s latest release is an ecstatic celebration of love. Following similar LGBTQ themes from his previous albums, he delves into the facets of his relationship with musical collaborator and long-time partner, Alan Wyffels. No Shape is a collection of dreamy, dramatic recordings, full of bright highs and turbulent lows that explode with layer upon layer of sound.

Brother Ali – All the Beauty in This Whole Life (Rhymesayers Entertainment, 2017) – Veteran Minneapolis MC Brother Ali revisits an old collaborator, Atmosphere producer Ant, for an expansive new collection of beats and rhymes. All the Beauty in This Whole Life touches on familiar themes for Ali, mixing politics, religion, family, race relations, and the artist’s experiences exploring the world all backed by relatively sparse but soulful production.

Jay Som – Everybody Works (Polyvinyl Record Co., 2017) – I have to admit that Jay Som was a bit of an unknown to me. I’d purchased her unofficial debut, Turn Into, last year when her Bandcamp upload of assorted tracks was re-released by Polyvinyl, but it didn’t really register with me. When I first previewed Everybody Works I needed to do a little more research, because I felt like I’d just run into someone I should know – the album had a polished feel of a veteran rocker, full of confidence and sophistication. To my delight, I learned that this was the first ‘official’ release of 22-year-old Melina Duterte – recorded in her bedroom studio and full of the promise of lovely music yet to come. Everybody Works has kind of a soft, sleepy vibe, occasionally amplified by interludes that feel a little bit like 90s alt rock. There’s a lot of depth and variety to Jay Som’s sound, offering a little something for everyone. I’m looking forward to hearing more.

Juanes – Mis Planes Son Amarte (Universal Music Latino, 2017) – Readers of this blog may have noticed that I have a soft spot for albums that tell a story – Mis Planes is no exception. In his latest release, Juanes embarks on an audiovisual saga of love and outer space. Follow along as a Colombian astronaut searches for true love; you have the option of just listening to the CD or popping in the bonus disc to enjoy the videos that go with each track. Juanes’s sound is heavily influenced by the traditional music of his native Guasca region of Colombia but it also features layers of different sounds: a little surf rock, a little electronic music, crooner vocals to pull on your heartstrings, and even a little reggae and reggaeton. Pop this in if you’re looking for something with a very tropical, romantic feel to it.

Happy listening, and enjoy the sunshine!

D-M-U-B, Everyone’s Accusing Me!

Let’s talk about the Ramones, shall we?

Few American bands have made a bigger impact than this group of leather-clad mutants. As early as 1974 their proto-punk cum beach-pop refrains filled the hippest clubs of New York City, poised to influence the next wave of bands. In a way, their music was a return to early rock & roll, simple and short three-chord songs, but with a bit of a buzzsaw edge grafted on for the kids.

RockNRollHighSchoolI don’t know exactly when I first heard the Ramones, but I do know that seeing the movie Rock ‘n’ Roll High School instantly made them one of my favorite groups. They came across as a bad-boy version of the Monkees, riding around in a red 1959 Cadillac with the license plate GABBA-GABBA-HEY. Unlike your typical lead singer, Joey Ramone was a tall, skinny, shall we say less-than-comely example of a man. Leather jackets, long hair, no attempt to be pretty teen idols, low-slung guitars, blisteringly short songs… In short, they created the punk sensibility.

 

Pinhead lyrics

GreatestHitsAs one can see, it doesn’t take much in the way of lyrics to create a Ramones song. Pinhead, from the 1977 album Leave Home, clocks in at 2:42, but the excerpt above contains all of its lyrics except for one sentence. The first line comes from the 1932 movie Freaks, where it’s a phrase used by the sideshow performers. This perhaps is a nutshell view of the Ramones’ appeal to teen me: catchy songs about unusual or disturbing topics. You can find this song at Everett Public Library on a CD that’s an outstanding introduction to the Ramones, Greatest Hits: Hey Ho Let’s Go.

 

Sedated lyrics

RoadToRuinI Wanna Be Sedated, off of 1978’s Road to Ruin, is another strange little pop gem. Apparently focused on an anxiety attack or some other mental issue, beach pop once again melds with a hard and dark edge to create an unholy mixture of proto-punk. I can picture Joey now, unflattering haircut, ugly glasses, ripped jeans, all somehow adding up to charisma and charm. Prepare yourself for 2:29 of leather-clad heaven.

 

Lobotomy
RocketToRussiaThe song that might have forever endeared the Ramones to me is Teenage Lobotomy, featuring the rhyme, “Now I guess I’ll have to tell ‘em, that I got no cerebellum.” And the opening chant of, “Lobotomy! Lobotomy!”? You simply don’t find this kinda lyric in your typical punk rock song. From Rocket to Russia, which was released in 1977, Teenage Lobotomy is one of the Ramones’ most popular songs, and this amuses me highly.

Their long-range influence can be seen in punk bands from the 90s that imitated the Ramones’ sound, and in some cases covered entire Ramones’ albums. Check out the band Screeching Weasel on Physical Fatness: Fat Music Volume III and early Green Day on their 1992 release Kerplunk!.

The Ramones broke up in 1996 after 22 years of practically non-stop touring. In a relatively short time Joey (2001), Dee Dee (2002) and Johnny (2004) died, leaving a gaping hole in the rock and roll world. But fear not! Their music lives on, and you can even see a female Ramones tribute band, The Dee Dees, playing at clubs in Seattle. In the meantime, settle back in a comfy chair, grab a slice of pizza and crank up Teenage Lobotomy. In the immortal words of Johnny Ramone in Rock ‘n’ Roll High School, “Things sure have changed since we got kicked out of high school.”

Listen Up! April Music New Arrivals

Here’s my quick take on what’s new and exciting in the EPL’s music collection. Place your holds now!

Julie Byrne – Not Even Happiness (Midheaven/Revolver USA) –sometimes life can be a little hectic; you need the ability to sit back and enjoy simplicity. Singer/songwriter Julie Byrne seems to have crafted this album understanding that need for balance. Not Even Happiness provides a very atmospheric mix of instrumentals, warm vocals, and even some well-placed silent breaks, to create just the right tone to showcase her dreamy, poetic lyrics.

Vagabon – Infinite Worlds (Father/Daughter Records) – harmonious, folky indie rock with a lot of slow builds and powerful breaks. This deceptively simple backing leaves singer Lætitia Tamko with full possession of your attention to deliver her thought-provoking vocals. Taking into account her immigrant origins (she came to the US as a teen from Cameroon) Tamko’s work feels very urgent as she tackles concepts of belonging, community, relationships, and the search for common ground.

Depeche Mode – Spirit (Columbia) – I feel like this album comes under the heading of ‘if it ain’t broke, don’t fix it (sorry, grammar!).’ Depeche Mode have developed a signature sound over their long career and at this point in the game there isn’t much need to deviate. In Spirit they tackle many of the key issues we face today as a global community with their own unique style. For long-term fans and new, there’s not much here that will disappoint. This album feels familiar and comfortable more than new and exciting, and that’s not necessarily a bad thing.

Rolling Blackouts Coastal Fever – The French Press (Ivy League Records/Sub Pop Records) – light, upbeat, driving, and full of variety. With essentially three lead singers/guitarists a band like this has endless options. While RBCF may sound a bit like a seasoned act with vaguely 80s roots, this is only their second album since bursting on the scene in Melbourne in 2015.

Hurry for the Riff Raff – The Navigator (ATO Records)– Alynda Lee Segarra has cultivated a very laid back folk rock sound, which she makes captivating with her smoky raw vocals. In an interesting twist, this is a concept album broken into two parts: alter-ego street kid Navita struggles with oppressive city life and decides to visit a witch to seek release. In act 2 she wakes under the witch’s spell, far in the future, and must learn to live in a very new world where everything she knew has disappeared.

Spoon – Hot Thoughts (Matador) – While this album still has a solid footing in the indie rock style that has driven Spoon for over 20 years, there is a fair amount of synth dabbling that leans the overall feel towards the realm of poppy electronic music. At times the album feels a little scattered, possibly the side-product of the band exploring new sounds and expanding their range.

The Kernal – Light Country (Single Lock Records) – kind of what it says on the tin: light country. It’s a little country, a little classic rock, maybe a bit of folk and gospel. Admittedly, I’ve never been a big fan of current country music, but this album showcases the aspects of the genre that have always appealed to me: the shared rural Southern musical roots that underlie so much of America’s current musical landscape.

Tinariwen – Elwan (Anti-) – bluesy with a West African flair. All language barriers aside, it’s hard to miss the deep and moody beauty of the vocals. Lots of groove, but all very understated – the simplicity is its strength. Each layer of sound or lyric seems perfectly, carefully placed to add to the progression of the track.

Newish Arrivals You May Have Missed!:

Various – Everett Sounds Volume 1  (Live in Everett) – this much-needed compilation was brought to you by Live in Everett. Check out a sampling of the local flavor that has been contributing to a very vibrant and growing Everett music scene. These albums have been checked out steadily since we got them in-house, so you’ll need to place a hold to snag a copy.

Number Girl – School Girl Distortional Addict (Toshiba EMI Lmtd.) – A solid garage band/punk rock release in Japanese – what’s not to love? Fans of the Pixies and Stooges might want to give this a listen.