It’s the end of the world as we know it and I feel….a little itchy and anxious to be honest.
It is possible that I enjoyed myself an inappropriate amount while reading Omar El Akkad’s American War. The title probably betrays this fact, but this is not exactly a delightful romp. Set in the late 21st Century during the second Civil War, this novel presents an upsetting and eerily plausible portrayal of our near future. Ostensibly this war is fought over a national ban on fossil fuels, but the roots of the conflict creep far deeper into the national psyche, playing on centuries old resentments and cultural differences (but good news – “proud, pacifist Cascadia” is far from the front lines).
American War follows the life of a young woman named Sarat, born into a chaotic South devastated by flooding, famine, war, and the worst elements of humanity. Sarat spends her formative years in a refugee camp, witnessing both the fanatical partisanship of the Southern rebels and the cruel indifference of the Northern war machine. As Sarat grows older, she finds herself drawn into the war that has defined her existence, becoming an agent of death that will help shape history and bring about grave and devastating consequences.
So, yeah, I realize that doesn’t sound terribly cheery, but El Akkad’s deft narrative style sucked me deep into this novel. By mixing Sarat’s story with government dispatches, oral reports, written records and other “source material,” American War had the feel of an upsetting historical account. At the same time I found myself without context, unsure of how events would unfold and where bias existed in the presentation, but still burdened by the full knowledge of these events terrible impact.
Perhaps I have a morbid streak as I have always enjoyed dark and disastrous accounts of imagined futures. For me, the immediate comparison for American War is Emily St. John Mandel’s Station Eleven. Like American War, Station Eleven presents our future in stark and frightening terms – it follows a travelling Shakespearean troupe in the years after a viral pandemic devastates humanity, leaving only scattered pockets of survivors in its wake. It also shares American War’s storytelling technique, incorporating various source materials from before, during, and after the height of the catastrophe.
I feel compelled to also mention World War Z, by Max Brooks. Please don’t judge this book because of the movie based on it. Designed to be read as an oral history, each section is narrated by a different survivor of a zombie apocalypse, describing responses and containment attempts by different groups across the globe. With this narrative Brooks crafts a book that is as much a consideration of international relations as it is a zombie novel. Rather than a work of horror, this is a novel of logistics and strategy in the face of terrible catastrophe. If you enjoy audiobooks, this title makes a particularly great listen as many talented and diverse voices were cast to portray the book’s narrators.
Now, I’m a Youth Services Librarian and I just talked about three ADULT novels, so I have to plug some YA. The Unwind series by Neal Shusterman takes place after a second American civil war fought over reproductive rights. When partisan militias fight to a stalemate, a compromise is reached. Though abortion is outlawed, unwanted children between ages 13 and 18 can be “unwound,” a process through which they are physically dismantled and recycled for transplants. The justification for this macabre policy is that every part of the unwound teenagers is reused, and therefore the body lives on. I realize that this premise sounds as absurd as it is disgusting, but Shusterman is a masterful writer and takes the time to illustrate how this policy slowly developed at the hands of well-meaning policy makers. By the end of the series it feels a little too plausible for my comfort.
Mike Mullin’s Ashfall also does a superb job portraying societal collapse. Ashfall follows a teen after the (very real) supervolcano under Yellowstone National Park erupts. Spoiler alert: things don’t go well unless you’re a fan of sunless days, endless winter, famine, and roving gangs of cannibals. Despite a whole lot of death and destruction, this is an enjoyable and ultimately hopeful series. Scientists confidently assert that this supervolcano won’t erupt anytime soon. Probably.
Finally, before I leave to ponder our impending ruin, I just want to mention one graphic novel. Y the Last Man by Brian K. Vaughan and Pia Guerra follows a twenty something slacker named Yorick and his pet monkey after a mysterious virus leaves them the only two living males of any species. Chaos quickly ensues and it is awesome.
I hope you’ve enjoyed this short walk from “great book” to “WE’RE ALL DOOMED.” If you need me, I’ll be taking deep breaths and either hiding under a desk or stockpiling canned goods.