Spot-Lit for November 2018

These titles – from established, new, and emerging authors – are some of the most anticipated new releases of the month, based on advance reviews and book world enthusiasm.

Click here to see all of these titles in the Everett Public Library catalog, where you can read reviews or summaries and place holds. Or click on a book cover below to enlarge it, or to view the covers as a slide show.

Notable New Fiction 2018 (to date) | All On-Order Fiction

Wheel in the Sky Keeps on Turning

Philip Tonkin is healing. Fast. It should be impossible, no, it IS impossible because he was smashed flatter than a proverbial pancake. Nearly every single bone in his body shattered and he was in a coma for six months and yet he’s awake now and beginning to move. But waking only fuels Philip Tonkin’s nightmare.

In Josh Malerman’s Black Mad Wheel it’s the 1950s and Tonkin and his band The Danes have had a brush with fame with one of their songs. They’re in a studio helping to produce another band’s music. The Danes met and formed while serving in WWII. They didn’t consider themselves soldiers, just musicians serving Uncle Sam. One day while sitting in a bar in between songs, they’re approached by a man with the government who tells them about a sound emanating from the Namib Desert in Africa. Officials haven’t been able to pinpoint the sound’s exact origin, not even after sending in two other teams who came back empty-handed.

The band agrees to give the sound a listen and back in the studio they watch the GI man put earplugs in. Never a good sign. The reel to reel is set up and PLAY is pressed. The sound begins as nothing at first and then comes out as almost more of a feeling than a sound. The band members begin to vomit and curl in on themselves with pain. The reel to reel is stopped and as the band struggles to recover physically and mentally from the eerie sound, the government man says they’ll each get $100,000 to travel to the Namib Desert and find the sound’s location. They have 24 hours to decide. After that, the deal is off the table. After mulling it over, the Danes decide to do it. If anyone can do it, a group of musicians should be able to hunt the sound down.

Sounds easy peasy, yeah?

No.

They endure the journey to the desert, flying in a military plane. Getting nearer the sound the men begin to sicken, the noise a squeezing thrum of a physical presence. The GI man sets them and all their recording equipment in the desert along with a historian, an old drill Sargent from boot camp who has been mysteriously turned out of the military. The GI man says he will be back to collect all of them in exactly two weeks, he says, and leaves them in the desert.

Then the ‘Black Mad Sh*t’ begins to hit the fan.

A band member is taken by a strange creature that leaves goat like hoof prints in the sand. They begin the search for him but he’s vanished.

In between recounting the band’s mission, Philip Tonkin wakes from his long coma in an Iowa hospital. Ellen, a nurse, has been caring for him for six months and has grown attached to him. He’s shot full of painkillers around the clock and she’s shocked that someone whose body has been nearly obliterated has not only survived but, upon waking, slowly begins to move.

His body is in ruins and his mind scarred from the desert, but he knows the rest of the Danes are still alive somewhere in that desert. But the hospital he’s in is no ordinary hospital and his doctor is ‘off’ in a way no doctor should be. Ellen does as she’s told but has begun to question the doctor’s motives. So has Philip. Something dangerous is happening. And something even worse is about to go down.

Black Mad Wheel is full of shadowy government dealings, a heavy and palpable supernatural presence, and the paranoia that the unknown is going to be weaponized before the ‘good’ guys can find it. Put your earplugs in if you don’t think you can handle it. I bought mine in bulk from Costco.

Spot-Lit for October 2018

Some definite treats are in store this October: from the frightful (Dracul, Devil’s Day), to the monumental (Anniversaries, The Novel of Ferrara), to sharp and shocking collections of short stories (Toddler Hunting, Friday Black), to excellent new work from bestselling authors, and more.

Click here to see all of these titles in the Everett Public Library catalog, where you can read reviews or summaries and place holds. Or click on a book cover below to enlarge it, or to view the covers as a slide show.

Notable New Fiction 2018 (to date) | All On-Order Fiction

Down in Savage Land

It’s a universal truth that we can pick on our siblings and tease them mercilessly. In my case, my oldest brother used to chase me around the house wearing this hideous chicken mask with neon green curls. Can you guess what I might have talked about during a few therapy sessions in my 30s?

But God help anyone outside the family who teases or threatens our siblings in anyway. I’m the baby of the family with two older brothers. This means that in the span of one day I could have my brother sit down on me and fart and then he would get off the school bus before me so he could go toe to toe with a bully who’d been making noise about pushing me around.

That’s what siblings do.

In Sadie by Courtney Summers, there’s nothing Sadie won’t do for her little sister Mattie and that includes seeking revenge on the man who killed her.

Radio personality West McCray, who airs a wildly popular crime podcast, gets a telephone call from a stranger begging him to help find 19 year old runaway Sadie Hunter. West contends there are girls who runaway all the time. There’s no mystery there. Until the stranger tells him Sadie has runaway to seek revenge on the man who killed her 13 year old sister Mattie. West’s boss is convinced there is a story there and sends West off on the hunt to find the truth.

A year before, 13 year old Mattie’s body was found savagely mutilated next to an abandoned schoolhouse being eaten by fire. Someone had tried to destroy his handy work by setting the school ablaze; no doubt hoping it would incinerate any evidence on Mattie’s body along with the school.

Sadie has been like a zombie for the last year, going through the motions of living. Their mother is an addict who disappeared a few years ago and Sadie has brought up her little sister almost single-handedly with the help of a surrogate grandmother/neighbor May Beth. She’s the woman who called West McCray and said, “I can’t take another dead girl.”

When Sadie’s mother was around, flying high on pills or nearly comatose with alcohol, there would usually be a man around the house, one she picked up at a bar.  Some were harmless. Others tipped the creepy scales. But one man in particular was evil incarnate. Sadie didn’t realize just how predatory the man was or how far his monstrous ways reached until she began to hunt him.

Told in alternating transcripts of McCray’s podcast and Sadie’s own story of tracking the killer down, Sadie is not your average revenge tale. It’s not even about right and wrong or being alone in the world and having absolutely nothing to keep you here. It’s about the love between siblings and a life on hold until the job of revenge can be completed.

They say revenge is a dish best served cold. But what they (whoever they are) don’t know is that revenge is a white-hot agonizing fire coursing through you, a fire that can only be doused and even then it smolders and lingers like a tire fire. Sadie will feed your need for close siblings, vengeance, and the downfall of the evil that men do.

900 Words about Vox

As someone who is a loud supporter of reading for fun and the joys of happy story endings, it came as a complete shock to me that I very much enjoyed reading a dystopian novel that had me yelling out loud and, at one point (sorry, colleagues!) throwing the book across the room. Literally threw it like it was on fire. One of the most powerful books I’ve read this summer is set in a dystopia. I’m still grappling with this reality.

Dystopian novels are not known for happiness and wit, but the discerning reader can find both in Vox by Christina Dalcher.

This dystopian mind-f*ck posits a creepily plausible near future where the American government has created a series of laws restricting women. Women are no longer allowed to travel outside the United States. They can’t work or hold political office and their daughters are only taught basic math and home keeping in schools. Their brothers, however, get a robust education including religious indoctrination and bias-affirming readings that brainwash them into seriously believing men are superior to women and that keeping women silenced and in the home is for the betterment of society.

The absolute worst part? All American women (yup, kids and babies too) now have to wear a locked wrist device that monitors their words. Each female is allowed 100 words per day–this includes sign language, gestures, and other non-verbal communication. If you speak past 100 words before your device resets at midnight you get a shock. Another word? Another shock–only stronger this time.

It’s a damn nightmare.

The book is told through the eyes of Dr. Jean McClellan. Before the silencing, she was a well-respected linguistic scientist. During the silencing Jean is like every other American woman, which is to say she is held hostage in her new role: being a nearly-wordless woman whose only job is to serve her husband and raise her kids. When the book opens we’re about a year into the silencing and though Jean feels that bucking the system is an impossibility, she is strong of spirit and still possesses the quick-witted mind that made her the incredibly renowned linguistic expert she was before society imploded. She wants a better life for all women, but especially for her three-year-old daughter who is growing up with this as her reality.

The narrative switches back and forth from present day to the past. I often find this jarring in books but Dalcher does this nearly seamlessly and the slow burn reveals of the past, along with foreshadowing of the horrors that are to come, keep the suspense building even when you think you know what’s going on.

Jean reflects throughout the book on her previous complete political apathy. Back in college she scoffed at her roommate’s attempts to get her involved in grassroots political rallies against social injustice, preferring instead to study and focus on her boyfriend, her future. She bathed in privilege but, as privilege goes, was so cocooned from marginalized and concerned folks that she didn’t even realize how sheltered she was. Her future was guaranteed, so why should she spend time worrying about it or fighting against the mere possibility that future society could go sideways? She thought it was pointless to vote–a waste of precious time–and considered it completely unlikely anyone so overzealous would be voted into the Presidency in modern times.

Jean also discovers that monsters aren’t born, they’re made–and often through no ill intentions, but through apathy. In particular, she’s horrified to recognize her oldest son has evolved into a monster. In flashbacks we see him slowly over time vocalizing increasingly demeaning opinions about the girls in his class and women in general. Back when she could talk, sometimes Jean would challenge him at the dinner table. He’d then mention the readings they were doing in school and how religion is now a required class. Jean would think “School is weird now” but never questioned the school administration about requiring misogynistic opinion to be taught as the law of nature or why one specific religion was taught as a required class in a public school

Her husband wasn’t much help either. He often brushed off Jean’s comments as ‘boys will be boys’ but the saying silence is acceptance proves true here. By the time Jean realizes what her son has started to believe, she literally doesn’t have enough words to talk him back off the ledge because she’s required to wear that damn wrist device. Like Jean, I refuse to call it a bracelet and diminish the horrifying evil the device represents: both in the physical pain it creates but especially in representing the completely upside-down reality that made this device a legislated mandate.

This is all to say that the flashbacks peppered in with the book’s current reality are a great way to let the reader see how the dystopian society got to where it is and allows us to draw parallels between that fictional America and the one we’re living in today.

Creepily. Plausible. Near. Future.

Despite this dark tone, the very first line of the book gives you hope throughout this thrilling adventure through a desolate society. If it seems unlikely that one essentially enslaved woman among millions would be able to bring about the downfall of a patriarchal society, well, dear reader…just pick this one up and thank me later.

Spot-Lit for September 2018

These titles – from established, new, and emerging authors – are some of the most anticipated new releases of the month, based on advance reviews and book world enthusiasm.

Click here to see all of these titles in the Everett Public Library catalog, where you can read reviews or summaries and place holds. Or click on a book cover below to enlarge it, or to view the covers as a slide show.

Notable New Fiction 2018 (to date) | All On-Order Fiction

Spot-Lit for August 2018

Spot-Lit

These titles – from established, new, and emerging authors – are some of the most anticipated new releases of the month, based on advance reviews and book world enthusiasm.

Click here to see all of these titles in the Everett Public Library catalog, where you can read reviews or summaries and place holds. Or click on a book cover below to enlarge it, or to view the covers as a slide show.

Notable New Fiction 2018 (to date) | All On-Order Fiction