Spot-Lit for December 2016

Spot-Lit

These titles – from established, new, and emerging authors – are some of the most anticipated new releases of the month, based on advance reviews and book world enthusiasm.

Click here to see all of these titles in the Everett Public Library catalog, where you can read reviews or summaries and place holds. Or click on a book cover below to enlarge it, or to view the covers as a slide show.

Remember to check back monthly: Many of the titles we feature here each month end up in major media lists of best books of the year, alongside lesser-touted gems you won’t want to miss. You can see all of this year’s Spot-Lit titles here.

Notable New Fiction 2016 (to date) | All On-Order Fiction.

Spot-Lit for November 2016

Spot-Lit

These titles – from established, new, and emerging authors – are some of the most anticipated new releases of the month, based on advance reviews and book world enthusiasm.

Click here to see all of these titles in the Everett Public Library catalog, where you can read reviews or summaries and place holds. Or click on a book cover below to enlarge it, or to view the covers as a slide show.

Notable New Fiction 2016 (to date) | All On-Order Fiction.

Heartwood 6:6 – Carmilla by J. Sheridan Le Fanu

carmillaI don’t normally read to scare myself, boost my heart rate, or get a jolt of adrenaline, but this time of year I often find myself looking for something a little spooky, dark, or supernatural. This year, the 140-year-old novella Carmilla, one of the earliest vampire tales (predating Bram Stoker’s Dracula), delivered just the dose of gothic elegance I was after.

When a carriage crashes on the road near their Styrian castle, Laura, a young woman, and her father offer their assistance and find themselves taking temporary custody of the weakened Carmilla, a woman in appearance about Laura’s age, as her mother has urgent business she must attend to farther down the road. Laura is thrilled to have found a female companion, and they form a remarkably quick and somewhat seductive intimacy. But early intimations that all is not quite right with the languid guest, who only emerges from her room late in the afternoon, grow more serious when Laura too begins to experience a similar loss in vigor and vitality.

The story moves along quite quickly and is told in an appealingly antiquated style with calm deliberateness and economy (though it does include a bit of unneeded repetition while also leaving a number of things unexplained). What I liked best about the book was Carmilla’s mysterious way of talking about being together forever with Laura, the significance of dreams, and the dreamlike ways in which the vampire would strike. Additionally, avid readers will be happy to see that book learning plays a large role in eventually putting the vampire (and story) to rest.

Labor and Lumber

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To help commemorate the centennial of the Everett Massacre, we’ve pulled together this list of historical fiction titles. Only Sawdust Empire, by J.D. Howard, deals directly with the bloody events on Everett’s waterfront 100 years ago, but all of these books look at the timber industry and laborers from the 1890s to the present day (with many of them emphasizing the labor struggles of the 1930s).

Ken Kesey’s Sometimes a Great Notion, about an Oregon logging family that continues to work through a bitter strike, is the best-known of these Northwest labor novels. But it’s good to see the recent reprinting of Robert Cantwell’s long out-of-print, Aberdeen-set novel, The Land of Plenty (originally published in 1935). For a mid-century style and take see Roderick Haig-Brown’s 1942 book, Timber, with its detailed accounts of logging work, and his 1949 title On the Highest Hill. Cormac McCarthy fans ought to appreciate Brian Hart’s gritty 2014 novel, Bully of Order about the extremely rough and lawless world of a Northwest coast logging town in the 1890s.

If you like a bit of mystery with your historical fiction, take a look at the award-winning Timber Beasts or Black Drop by S.L. Stoner, or The Big Both Ways by John Straley.

Click here to see a list of all of these titles in the library catalog and to place holds. Or click on a book jacket below to enlarge it or to view the covers as a slide show.

For additional fiction focusing on the laboring life, take a look at the titles in this list.

Spot-Lit for October 2016

Spot-Lit

These titles – from established, new, and emerging authors – are some of the most anticipated new releases of the month, based on advance reviews and book world enthusiasm.

Click here to see all of these titles in the Everett Public Library catalog, where you can read reviews or summaries and place holds. Or click on a book cover below to enlarge it, or to view the covers as a slide show.

Notable New Fiction 2016 (to date) | All On-Order Fiction.

Vinegar Girl by Anne Tyler

vinegar-girlKate Battista systematically prepares meat mash once a week, dutifully serving it every night to her father and younger sister Bunny. Her father, Dr. Battista has calculated ingredients for efficiency, but his most recent and desperately devised plan involves Kate in a whole new way. One day Kate’s father calls her at home under false pretenses, feigning that he’s forgotten his lunch. His motive is simple: he wants his daughter to marry Pyotr Cherbakov. Pyotr works as a research lab assistant with Dr. Battisa and his work Visa is about to expire.

Kate is offended and hurt by her father’s lack of sensitivity. Taking a stand, she refuses to do her father’s income taxes. Not only does Kate manage the household affairs, she is also expected to enforce her father’s rules, rules which include that her spirited sister Bunny is not to have boys in the house during Kate and her father’s absence. After work one day, Kate comes home to discover Bunny and Edward, an older next door neighbor, alone together. He is supposedly teaching her ‘Spanish.’ Edward’s influence becomes much more suspicious as the story unfolds.

One evening Professor Battista uncharacteristically, and with the help of a few drinks, pours out his heart to Kate which results in her giving into her father’s charade. She agrees to conspire with her father and marry Pyotr Cherbakov for immigration purposes. Gradually life begins to take a turn and a flicker of hope sparks in Kate as she muses over the potential to move from home and her dead-end life.

Pyotr and Kate begin doing things engaged couples usually do: grocery shop, sharing dinner together and so on. All the while Dr. Battista films these activities as evidence of their sincerity. At the market Pyotr grabs pork to which Kate objects. Edward’s influence has converted Bunny to veganism complicating Kate’s meat mash dish. Pyotr comments “In my country they have proverb: ‘Beware against the sweet person, for sugar has no nutrition.’” Beguiled but on the defensive, Kate quips back “Well in my country they say that you can catch more flies with honey than with vinegar.”  Pyotr declares her his ‘Vinegar Girl.’ He is able to see beneath her acerbic character and a growing but awkward relationship begins to bud.

On the day of Pyotr and Kate’s wedding, Pyotr does not show up leading to a suspenseful and comical yet sweet ending.

Anne Tyler’s Vinegar Girl has been dubbed a modern day The Taming of the Shrew and I found it humorous, sincere, witty and delightfully quirky.

Heartwood 6:5 – Pond by Claire-Louise Bennett

PondHeartwood mostly focuses on older books, but once in a while I’m so taken with a new release that I simply must tell people about it. Claire-Louise Bennett’s Pond is such a book, one of the most dazzling debuts I’ve read. It could be labeled an experimental novel or linked short stories or even autofictional memoir without really mattering much to me (a pond is a pond is a mudhole). What does matter is how Bennett puts you inside her narrator’s head. I don’t know that it’s voice necessarily (but what a voice!), or even the quirky richness of the main character’s personality, but rather a kind of intensity, a shared personable intimacy, as if the reader is discovering and experiencing the author’s thoughts at the same time that she is writing them down.

The book focuses on an unnamed young woman who has moved to an old stone cottage in the rural countryside on the west coast of Ireland. The chapters often feature small details of daily living which serve as unlikely launching pads for wide-ranging meditations on recent or distant events in her life, relationships past and present, or things going on right inside or outside her cottage. For example, the broken control knobs on her mini-oven, or the act of taking a bath during a storm, or simply cleaning the fireplace grate will trigger a flood of unexpected reflections on such things as the intensity of feelings upon encountering a forgotten love letter, memories of reading a book about the last woman alive, feeling alienated from a particular place and its history. She moves from topic to topic in a perfectly natural but discursive way, telling us everything in a voice that is exactly right, conveying her wit, intelligence, gentle misanthropy and sense of wonder.

Here are some of the themes that stood out for me: a keen attention to the earth – to the everyday dirt, mud, stones, ponds, gardens, storm-blown leaves and other detritus; a concern with language, both to uncover one’s understanding of things but also in that it can misdirect, and its inability to fully capture and communicate experience; the value of solitude; a background fear of the unknown or imagined, and a compulsive interest in embracing it; love in all its complexity – as all-consuming, obliterating, brutal, inexplicable, happy; the unaccountable workings of the mind and imagination; the pressures of history; and the challenge to attune yourself to the “earth’s embedded logos,” to experience a “deep and direct accordance with things.”

I can’t begin, in this short review, to do justice to this phenomenal book; there’s so much going on and, from one perspective anyway, it seems to demand immersion and living-through rather than description and analysis. But let me, as further examples, at least chart some of the unexpected jumps in the first long chapter, “Morning, Noon, and Night.” The chapter opens, comically enough, with a detailed consideration of what makes the best breakfast food but then takes up such things as: living without purpose but just to take things in; abandoning academia; the purchase of a couple of pieces of textile art and changes in what she sees in them; how to talk of what most moves us would spoil it; fulsome sex and the pleasure of writing lustful, salacious emails; finding a secret garden and becoming an accidental gardener; a quiet early evening of intently listening in the garden. This chapter so impressed me that I found myself reading it again immediately.

Librarians have a tendency to compare and connect books, even though the most unique and striking books can only be crudely compared to anything else. So, yes, I encourage you to read Pond, it is beautifully idiosyncratic, and I will add that anyone who admires what Bennett has done with her female lead might also want to look at Robert Thomas’s Bridge (one of my favorite books of 2014), Jenny Offill’s Dept. of Speculation, and Joanna Walsh’s Vertigo.

Now I’m going to shut up and return to rereading the rest of this book.