Spot-Lit for April 2021

Rejoice! It’s not every month that offers new fiction from 20th-century maestro Marcel Proust, or a pertinent novel on race and policing by Richard Wright from 1942 that only now is getting published, or a new translation of what is described as the most accessible novel by Brazilian phenom Clarice Lispector.

In terms of local color, Willy Vlautin’s latest looks at greed, hardship, and gentrification in Portland, and Joanne Tompkins’ intense Washington-set debut focuses on loss and connection.

April also brings us new titles by Haruki Murakami, Jhumpa Lahiri, Helen Oyeyemi, and Paula McCain along with much-buzzed debuts from Kirstin Valdez Quade, Sanjena Sathian, and Donna Freitas.

Click here to see all of these titles in the Everett Public Library catalog, where you can read reviews or summaries and place holds. Or click on a book cover below to enlarge it, or to view the covers as a slide show.

Notable New Fiction 2021 (to date) | All On-Order Fiction | 2021 Debuts

Anxious People

Anxious People by Fredrik Backman is a story about – – a LOT of different things! All throughout the book you are told that this is a story about a bank robber, or a real estate agent, or a bridge, or a police officer, or a pregnant woman, or a hostage situation. Or a list of other things. Indeed, this was a great story about all of those things, but really, it wasn’t about any one of these people.

It is so interesting in life how no single item is the same for everyone. What may be my favorite aspect of something could very well be the part you hate the most about it. Things that are no big deal for me could be the most tragic thing to you. I guess what I’m saying is that everyone’s threshold for being anxious is different, and we must all remember to be patient with others.

Basically, in this book a bank gets robbed and the robber flees. In trying to escape, they run into an open house for an apartment that is up for sale and everyone attending gets held hostage. UNbasically, there are twists and turns to what should be a straightforward story.

I very much enjoyed this book! I adored the characters and their interactions with each other. I loved how there could still be a happy ending after such a traumatic event. Anyone who is a Fredrik Backman fan is sure to love it as well.

Spot-Lit for March 2021

These titles – from established, new, and emerging authors – are some of the most anticipated new releases of the month, based on advance reviews and book world enthusiasm.

Click here to see all of these titles in the Everett Public Library catalog, where you can read reviews or summaries and place holds. Or click on a book cover below to enlarge it, or to view the covers as a slide show.

Notable New Fiction 2021 (to date) | All On-Order Fiction | 2021 Debuts

Spot-Lit for February 2021

These titles – from established, new, and emerging authors – are some of the most anticipated new releases of the month, based on advance reviews and book world enthusiasm.

Click here to see all of these titles in the Everett Public Library catalog, where you can read reviews or summaries and place holds. Or click on a book cover below to enlarge it, or to view the covers as a slide show.

Notable New Fiction 2021 (to date) | All On-Order Fiction | 2021 Debuts

Spot-Lit for January 2021

These titles – from established, new, and emerging authors – are some of the most anticipated new releases of the month, based on advance reviews and book world enthusiasm.

Click here to see all of these titles in the Everett Public Library catalog, where you can read reviews or summaries and place holds. Or click on a book cover below to enlarge it, or to view the covers as a slide show.

Notable New Fiction 2021 (to date) | All On-Order Fiction | 2021 Debuts

Heartwood 10:4 – Return Trip Ticket by David C. Hall

As Donald Westlake’s introduction notes, David C. Hall’s 1992 novel, Return Trip Ticket, is grounded in the pulp style first introduced by such writers as Raymond Chandler and Dashiell Hammett, but the character of the classic PI is updated and extended here in the figure of Wilson who is both more worldly and more self-critical than his predecessors. So instead of the hardball patter of Philip Marlowe or Sam Spade, in Wilson we get a man who is frequently fatigued and put-upon by his work, but who is also resourceful, diligent and a keen observer. Indeed, it is the detached descriptions of the world around him that first drew me in, and kept me there even as the plot began to grow in complexity and intrigue toward the end of the book.

Wilson is an overweight, balding, forty-something, Vietnam-vet now working as a private detective on a case involving the disappearance in Spain of a wealthy Denver businessman’s daughter. The story is set in both Barcelona and the American desert southwest in that distant past (1988) just before the era of web browsers and cellphone ubiquity. Wilson interacts with an interesting variety of individualized characters as he attempts to track down the young woman, plays cassettes of Thelonious Monk and Ornette Coleman in his drably oppressive hotel rooms, and looks forward to reading Dickens or Gibbon’s Decline and Fall of the Roman Empire when he had a bit of time to himself.

Return Trip Ticket is a quick read that has a fine balance of characters, plot, language, and setting. The ending struck me as a little anticlimactic but also realistic in its insinuation of the all too common corruption of those who hold power.

I don’t want to say much more about what happens in the book (that’s what you read a mystery to find out), but maybe this sample passage, in which the detective and his quarry stop at a southwestern 24-hour pancake house, will give you a bit of its flavor:

            The waitress came over and said, “Good morning,” without a trace of sarcasm, poured them some coffee and went away.  She was wearing a short, pleated uniform with a little white apron and a lot of strawberry lipstick, and she had a frazzled smile that she turned off and on.  A couple of old men in cowboy hats were drinking coffee in another booth and yelling at each other in slow dry voices, and a drunk was sitting at the counter with his chin sinking slowly toward the dish of apple pie in front of him.  It was the kind of place Wilson remembered sitting in all night when he was a kid, getting high on cup after cup of lousy coffee and listening to the piped-in music.  It made you feel grown up, for some reason.

Pulp detective stories are in no short supply. Based on limited online reviews, I don’t see that David C. Hall has been able to achieve widespread popularity (though he has won some crime fiction awards). But that is neither here nor there. I’d say, if you’re in the mood for a finely written chase novel, and like your noir with a dose of attention to detail and humility, this will certainly do the trick.

Spot-Lit for December 2020

These titles – from established, new, and emerging authors – are some of the most anticipated new releases of the month, based on advance reviews and book world enthusiasm.

Click here to see all of these titles in the Everett Public Library catalog, where you can read reviews or summaries and place holds. Or click on a book cover below to enlarge it, or to view the covers as a slide show.

Notable New Fiction 2020 | All On-Order Fiction | 2020 Debuts

Spot-Lit for November 2020

These titles – from established, new, and emerging authors – are some of the most anticipated new releases of the month, based on advance reviews and book world enthusiasm.

Click here to see all of these titles in the Everett Public Library catalog, where you can read reviews or summaries and place holds. Or click on a book cover below to enlarge it, or to view the covers as a slide show.

Notable New Fiction 2020 (to date) | All On-Order Fiction | 2020 Debuts

Spot-Lit for October 2020

These titles – from established, new, and emerging authors – are some of the most anticipated new releases of the month, based on advance reviews and book world enthusiasm.

Click here to see all of these titles in the Everett Public Library catalog, where you can read reviews or summaries and place holds. Or click on a book cover below to enlarge it, or to view the covers as a slide show.

Notable New Fiction 2020 (to date) | All On-Order Fiction | 2020 Debuts

Heartwood 10:3 – The Literary Sphere

The impetus for today’s post is the similarities between books by two writers from two different continents; one young and living in Paris, the other an Argentine, recently deceased. Things kind of snowball from there.

Our Riches by Algerian author Kaouther Adimi, now living in Paris, is a love letter of a novel to the real-life Algiers bookseller and publisher Edmond Charlot who opened Les Vraies Richesses (Our True Wealth) in 1935. The multi-award-winning book jumps backward and forward in time from the 1930s to the present day. It interweaves Charlot’s journal entries about the bookstore and his publishing projects, historic footnotes to WWII and French-Algerian postwar tensions, and chapters about a young man sent by the bookstore’s new owner to clear it out so he can convert it into a bakery.

There’s an almost documentary feel to much of the writing, and indeed Adimi provides a list of sources and a note of thanks to several of Charlot’s literary friends for sharing stories (the Wikipedia page on Charlot confirms the factual nature of many of the elements found in the novel). Charlot’s journal entries offer up a lot of detail about the world of the publisher/bookseller, and a treasure trove of encounters with famous authors such as Albert Camus, André Gide, Philippe Soupault, and many others. These very short notes about his everyday projects and challenges resonate with a trilogy of books by Ricardo Piglia in which he also chronicles his book-world pursuits (I’ve written about Piglia previously here).
The Diaries of Emilio Renzi include the occasional lengthier piece of creative writing, but mostly they are composed of brief journal entries that begin with the alter-ego narrator’s first encounter with books, and his ongoing obsessions with reading and writing, including his long-term involvement in the bustling Buenos Aires publishing world in the mid-20th century (he mentions “temples of used bookstores,” but did not appear to work in one). In the course of these entries he engages with such luminaries as Jorge Luis Borges, Juan Carlos Onetti, and Manuel Puig, and notes the influence of Hemingway, Faulkner, and Raymond Chandler on his own writing. He also provides insights into writers such as Tolstoy, Cervantes, and Kafka, and many, many others. In a style similar to Adimi’s novel, Piglia’s books also record the pressures, frenzy, intellectual stimulation, and financial challenges of working in literary publishing while also recording details of the frequent political strife in Argentina at that time. The third volume of the trilogy is scheduled to be released this October.

These books will have the most appeal for world-literature bibliophiles but they have also caused me to reflect on the interrelated spheres of writing, publishing, bookselling, and libraries. A number of well-known authors have opened bookstores, which strikes me as a very generous way of embracing the literary community. Sylvia Beach, founder of the Paris bookstore and lending library, Shakespeare and Co., famously brought James Joyce’s masterpiece Ulysses into the world, and Lawrence Ferlighetti’s publishing/bookselling enterprise, City Lights, made waves when it published Allen Ginsberg’s Howl in 1956, and went on to publish the work of other Beat writers along with many other authors up to the present day. More recently, in the book-saturated sliver of the internet where I tend to lurk, there was quite a bit of enthusiasm when Deep Vellum opened its Dallas-based bookstore and started publishing some phenomenal literature in translation (including the Trilogy of Memory by Sergio Pitol which shares similar literary enthusiasms as those found in Piglia’s Diaries and Adimi’s book). In Adimi’s novel, Charlot’s bookstore, Les Vraies Richesses, also served as a lending library to students who didn’t have enough money to buy books; for a local lending library example, check out Seattle’s own Folio (though you won’t be able to visit while we’re in the throes of the coronavirus pandemic). And now a number of bookstores offer print-on-demand publishing options for local authors, including Bellingham’s Village Books, and at least one public library is doing the same.

Are you aware of other real-world literary bookstore/publishing ventures or related hybrids? Share them in the comments. In the meantime, as a lover of good books, why not rub elbows with Charlot or Renzi or Pitol, and reflect upon the riches of world literature?

(And if you love bookstores, now would be a good time to show your support. Find local independent bookstores in your community at IndieBound, or consider making a purchase at a Black-owned, independent bookstore.)