The Chain by Adrian McKinty

The Chain by Adrian Mckinty is the kind of book I find very frightening. No zombies or vampires, but the kind of stuff that can REALLY happen!

With a regular chain letter, if you don’t pass it on either something “bad” will happen or you are promised great things if you do pass it on; but there is no real incentive to pass it on. In this story, the masterminds behind the chain letter make sure that something really bad happens and in order to make it better you must “pass it on.”

Imagine that you get a phone call saying your child has been kidnapped. In order to get your child back, you must pay a ransom and kidnap another child! Only after the parents of the child you kidnap pay the ransom and kidnap another child will you get your own child back. And that’s where it ends…..or does it?

After contacting past abductees families, Rachel realizes that her family will forever be part of the chain, unless she can find a way to keep herself and her family safe.

Read this exciting story of single parent Rachel and her daughter Kylie. Rachel’s brother-in-law helps her do the bad deeds she needs to do to get Kylie back, because, obviously, you cannot go to the police. As they end up getting deeper and deeper into the kidnapping they realize that even if they wanted to go to the police, they are now criminals. This tale becomes even more exciting as they try to not just break the chain, but take it apart link by link.

I must add that I was very disappointed that I took this to read on my three-week vacation…. as I couldn’t put it down and finished it in four days!

Sometimes Dead is Better

I read Stephen King’s Pet Sematary when I was 10 or 11. My brother (who is 2/1/2 years older than me) had finished it and left it on the couch. I picked it up and began reading. That book sealed the deal on me wanting to be a writer.

Stephen King has admitted that Pet Sematary disturbs him more than his other horror novels because the plot included every parent’s worst fear: the loss of a child. Back in the 1980s, Stephen King and his family moved to rural Maine. The country road in front of their home was anything but empty and quiet. Large semis often barreled down the road, claiming beloved pets and inadvertently teaching kids about death. King said his youngest child, still getting the tricky thing of walking down, had made his way to the edge of the road where a semi was rocketing down.

King couldn’t remember if he’d tackled the toddler in time or the child just tripped, preventing what could have been every parent’s worst nightmare. The seeds of the novel were planted when he discovered a pet cemetery behind his house. He didn’t have a place to write in in his new house, so he wrote in a room in the grocery store across from that road made for tragedy.

In Pet Sematary (misspelled by the children who made the place their pets final resting ground) Louis Creed and his family move to the rural town of Ludlow, Maine. Louis was an ER doctor in Chicago, but wanted a quiet place where he could spend more time with his wife and two children. He takes a job as infirmary doctor at the university and begins to settle his family.

His new neighbor Jud Crandall, a nimble 80-year-old man, introduces the Creed family to the pet cemetery near the woods behind their home. Generations of neighborhood children have buried their pets there. Many were claimed by the hell-bent for leather semis on that country road.

Louis’ 5-year-old daughter Ellie, like all children, starts to ask questions about death and why her beloved cat Church won’t live as long as her. He explains that death is a natural thing, earning the wrath of his wife Rachel who believes death isn’t to be talked about. Her anger might be because of a tragedy in her youth with her older sister dying at home while Rachel was the only one there.

The road claims Ellie’s cat, Church. Jud, who has become a good friend to Louis, tells him about a place beyond the pet cemetery, ground that belonged to a local tribe. The earth there is bad, the ground stony. Jud tells Louis he has to bury the cat himself.

The next day Louis is surprised by the return a much changed Church and even tugs a bit of plastic from the garbage bag he buried the cat in out of the feline’s mouth. Jud regrets telling Louis about the place beyond the pet cemetery and tells a couple horror stories of his own from the 80 years he’s lived in the same house. The hard ground is sour. What comes back from the soil is not the same that went in.

From there on out, Pet Sematary delves deeper into loss and darkness and what a man will do to keep his family together.

After finishing Pet Sematary, King gave it his usual 6-week cooling off period and read it again. He was so disturbed by the story that he stuck it in a drawer and left it alone until another book was needed to fulfill his contract with Doubleday. Decades after its publication, it’s a book that still manages to disturb readers.

Spot-Lit for July 2019

These titles – from established, new, and emerging authors – are some of the most anticipated new releases of the month, based on advance reviews and book world enthusiasm.

Click here to see all of these titles in the Everett Public Library catalog, where you can read reviews or summaries and place holds. Or click on a book cover below to enlarge it, or to view the covers as a slide show.

Notable New Fiction 2019 (to date) | All On-Order Fiction | 2019 Debuts

The Last List of Miss Judith Kratt

In The Last List of Miss Judith Kratt by Andrea Bobotis, Miss Judith Kratt is getting old…. and decides it is time to take an inventory of the belongings in her home. She still lives in the house she grew up in (located in Bound, South Carolina) with Olva, her dearest friend. Daddy Kratt owned the local mercantile where many of the items on her inventory originated, and the townspeople both revered and feared him.

If a picture is worth a thousand words, every item in the house has a history behind it worth many thousands of words. As Judith makes the list, she tells the stories of the items and the memories that intertwine between the store, the employees (namely Charlie), and the house and family.

Her brother Quincy, Daddy Kratt, Olva, her mother, and sister Rosemarie all have large parts to play in the tales. Miss Judith thought that she knew them all. After years of separation from the family, however, Rosemarie comes back and we all find out that things were not as they seemed.

This is a great book to read if you like to find out secrets. There were twists that I didn’t see coming until the very end. Who knew a Tiffany lamp could have such an impact on a family!

30 Minutes Every Day…

Document (1)Summer is one of the busiest – and most exciting – times of year at our library. In Youth Services, we spend a lot of time focusing on our Summer Reading program. The basics are simple – we want youths to retain their reading skills while school is out, and research has found that reading for 30 minutes every day is the sweet spot. For this reason, we set a goal of reading for 24 hours by the end of the summer, and offer prizes for those who participate.

Have any questions about our reading program? We’ve got the answers!

Who can participate?

Our Youth Summer Reading Program is for anyone going into 12th grade or under. We also have a yearlong reading challenge for adults that you can learn about here.

What counts as “reading?”

We really like to emphasize that any form of reading counts including, but not limited to, reading on your own, stories read aloud by someone else, reading to younger siblings, listening to audiobooks, and, of course, reading graphic novels and comics. Because our program begins at birth, we also encourage parents to count time that infants and toddlers spend interacting with books, whether they are paging through them or just seeing what they taste like!

How does the program work?

We have reading logs for children and teens which can be picked up any time at our library. Readers can color in one star in the log for each half-hour of reading they do. Beginning July 1, participants can bring their logs back to the library and win prizes. Prizes are awarded at 12 hours and 24 hours, and will be available until August 31 (or until we run out).

At 12 hours, our readers get a color-changing pencil and their choice of a ticket to the Imagine Children’s Museum or a Seattle Storm basketball game in Everett. At 24 hours, they get a free book and entry in a grand-prize raffle. And if they finish by August 16, they are invited to our summer reading party which always includes exciting VIPs!

I like prizes! How do I sign up?

To sign up, just pick up a reading log at our Youth Services reference desk!

Every spring, our Youth Services Librarians visit Elementary and Middle Schools throughout Everett, promoting this program and getting students excited about the books they can read this summer. My visits center mostly on middle schools, where I see groups of sixth and seventh graders. These trips are exhilarating and exhausting, and are always one of the highlights of my year. Here are a few of the books I brought that students seemed especially eager to read:

The Owls Have Come to Take Us Away by Ronald L. Smith

Simon has always been obsessed with aliens, but now it seems that they are obsessed with him. Simon mostly keeps to himself – his dad is in the air force, so his family moves a lot, and he has trouble fitting in and making friends. To ward off loneliness, he lets his imagination run wild researching UFO sightings, convinced that many of them are real and determined to find a pattern in these alien encounters.

Then one dark night on a family camping trip, Simon is attacked. Although it seems that he was simply clawed by an owl, Simon knows better. This was alien work. And the gouge in his stomach isn’t a scratch from an owl, it’s proof of an alien implant. When Simon tells his parents what happened, they are beyond skeptical and take him to a psychiatrist, who in turn prescribes him some medication. But none of this helps Simon with his problems. As Simon falls deeper and deeper into his obsession, it remains unclear whether these events are actually happening or if Simon is losing his sanity. If you want to know which is the case, you’ll have to read it!

Lizzy Legend by Matthew Ross Smith

For 13-year old Lizzy, basketball IS life. She practices every free moment, obsessing over every part of her game and analyzing the greats. Someday she hopes to be a legend herself, but right now her goal is to make the boys team at her school. She manages to make the team and become the star player, but she also has some things weighing her down. She lives with her dad, who has trouble keeping a job, and debt collectors are always breathing down their necks.

Then one day she gets a strange call. It sounds like the kind of robo-call that promises a free vacation or new iPhone but winds up a total scam, except this call tells Lizzie that she is pre-selected for one free wish. She says the first things that comes to mind, then hangs up the phone and forgets the call. But something strange has happened. Lizzie soon realizes that her wish has come true and she can make any shot she shoots. Pretty quickly a viral video leads to a tryout for a professional team, and before she knows it, Lizzie finds herself on the court playing for a pro team against full-grown men, with her power on the fritz. There’s a big game on the line and her new team is counting on her, so Lizzy needs to find a way to beat the best.

Beast Rider by María Elena Fontanot de Rhoads and Tony Johnston

The beast is a massive, fast moving network of trains that snake through Mexico toward its border with the United States. It is a treacherous ride, on a route with many people who could leave you dead – deceitful criminals, violent gangs, and corrupt police. Manuel is a 12-year-old living in the Oaxaca region of Mexico who dreams of joining his brother Toño in Los Angeles. But to do so, he will need to ride the beast.

This book follows his three-year journey, with its many hungry nights, threats, near deaths, and cruel beatings. Manuel also meets many kind and caring people who help him along the way. As he slowly gets closer to LA, Manuel begins to wonder if he will survive to make it there and if he will ever be able to forget the terrible things that have happened along the way. This book is, at times, a thrilling adventure and a heartbreaking story of sacrifice. But it is also an account of the perilous journey that many people endure to seek a better life and it also explores the reasons why people take such giant risks, and the stories that they bring with them.

Dreadnought by April Daniels

Danny lives in the Pacific Northwest in New Port City. In her world, superheroes and supervillains roam the skies, waging epic battles between good and evil. It might sound cool, but for ordinary people like Danny it is just plain dangerous. So when she witnesses a battle up close, she tries to stay out of the way until the great hero Dreadnought crashes down next to her, mortally wounded. As he dies in her arms, Danny is both terrified and annoyed – because even a dying superhero manages to misgender her. Danny presents as male, but is actually a trans woman.

As Dreadnought dies, something unbelievable happens. His powers transfer to Danny, not just giving her super strength and the ability to fly, but also transforming her body into what it is meant to be, that of a young woman. Needless to say, this is a lot for Danny. For one thing, she wasn’t ready to come out to the world and now her true identity is impossible to hide. She also must figure out how to fit in with the Legion of superheroes and hunt down the evil cyborg, Utopia, who killed Dreadnought and is a massive threat to humanity. So Danny joins with another hero and must learn to navigate life with her new body and her responsibilities as a superhero in time to stop the evil Utopia before it is too late.

XL by Scott Brown

Will is disastrously short. I don’t mean just a bit short for his age – at 16, he is just 4’11.”  This is beyond an embarrassing height. It makes him miserable and he has tried every crazy trick, miracle cream, and superstition to try to grow taller. Nothing has worked. Luckily, he has his best friends by his side, his stepbrother Drew and Monica, a book-obsessed surfer, who Will secretly loves.

Then two things happen that throw Will’s life into chaos. First, he catches Drew kissing Monica. Not only does this break Will’s heart, it also sends their little group into chaos. And then, Will starts growing. And growing. And growing. At first this is great- he can reach the pedals in his car, he grab things off top shelves. Then he gets taller – even better! He can look DOWN on his classmates. He can dunk. Then he gets taller. His body hurts, he is always hungry, and people start treating him like maybe there is something wrong with him. And to make things worse, it seems that the taller he gets, the harder it is to stay friends with Drew and Monica. Without them, Will doesn’t have anyone to hold him back as he grows into a bigger and bigger jerk. What’s a 7-foot tall ego monster to do?

Versailles of the Dead by Kumiko Suekane

Marie Antoinette is on her way from her native Austria to France, where she will marry the future king, securing peace between their countries. In real life Marie is beheaded during the French Revolution, but not in this book! Zombies devour her instead. The only survivor of the attack is Marie’s twin brother, Albert. Albert continues to Versailles, hoping to take refuge with the court. When he gets there, the King, who is trying to fight off the zombie invasion and can’t afford a war with Austria, decides that Albert will disguise himself as Marie and marry the Dauphin (prince). Now Albert has a lot on his plate. He must trick the people into believing he is Marie, including many who are suspicious of him, wondering how he alone managed to survive the zombie attack. He also has to survive a court filled with deadly intrigue and deadlier romance, and fight a few zombies along the way.  This is a terrifically fun and ghoulish new manga series!

In a Lonely Place

This is the city. Late 1940s Los Angeles. The war has been won and the economy is booming, but something sinister is prowling the foggy streets of the city at night. Women are being murdered and their lifeless bodies abandoned in seemingly random locations. The police are unable to find a pattern or a motive. Panic and fear permeates the streets.

If this sounds like a standard noir plot from the likes of Raymond Chandler or Dashiell Hammett you would be right. The difference here is that this tale is written by the little known, but much regarded Dorothy B. Hughes. In a Lonely Place, written in 1947 and reissued here in the NYRB Classics series, is as entertaining as it is subversive. Hughes works within the noir genre to expose its own dark underbelly: the genre’s disturbing attitude towards its female characters.

Most of the novel is from the perspective of the killer, Dix Steele (a noir name if there ever was one). Recently back from the war and living off a stipend from a rich uncle, he wanders the city streets claiming he is a writer of detective fiction. Underneath this suave facade, he feels entitled to an easy life and is enraged by those he sees denying him, primarily women. There is Laurel Gray, the cynical aspiring actress who lives next door and Sylvia Nicolai, the wife of his best friend during the war. Sylvia is married to Dix’s old war buddy, who just happens to be a detective investigating the recent string of murders plaguing the city.

Hughes takes these classic noir characters (the femme fatale, the good girl, the detective, and the killer) and uses them to play with the readers expectations. The result is a novel grounded in, but not straightjacketed by, the genre. I won’t give any more of the details away. Just know that this is not a ‘standard’ noir tale in execution or resolution.

Do be warned though, it can take a bit of time to adjust to this excellent work. The prose can be dense and heated, the slang sometimes obtuse, and it is grounded in the mores of its time. That being said, this slim novel is well worth your limited reading time.

Heartwood 9:3 – Empty Words by Mario Levrero

Uruguayan novelist Mario Levrero’s Empty Words is a deceptively appealing little book, in large part about a most unlikely subject: penmanship. The unnamed narrator is hoping that his self-imposed handwriting-improvement exercises will relieve his anxiety and improve other aspects of his life. This proves to be a tall order and one that is frequently stymied.

But this is only one half of the book. The other half is what Levrero calls The Discourse, which has the rather nebulous goal of discovering its real subject matter beneath the simple flow or rhythm of what he describes as an apparently empty form. This is something that can’t be forced. As the narrator describes it:

I need to be alert, but with my eyes half-closed, as if I were thinking about something else entirely and had no interest in the discourse taking shape. It’s like climbing into a fish tank and waiting for the waters to settle and the fish to forget they had ever been disturbed, so they move closer, their curiosity drawing them toward me and toward the surface of the tank. Then I’ll be able to see them – and perhaps even catch one.

The ritual of practice is the main force that binds the two parts of the book together, but it is an embedded variety of practice that loses itself in the activity and has no concern for anything outside itself. This indifference to outside matters is critical. For the handwriting exercises to be successful, the protagonist must focus simply on forming appropriate letters without the typical concern in writing with expressing meaning – in fact, if he drifts into emotion-laden topics or areas of personal concern, he loses sight of his task and his penmanship goes to hell. In other words, the narrator’s handwriting is an outer manifestation of his inner state and its success is largely dependent on him not focusing on substantive matters. The Discourse, conversely, seeks to engage in an activity (in this case, a kind of half-willed psychological probing), that requires practice and attention but that remains outside of the narrator’s control. For the goal of the Discourse to be met, the narrator must keep his psychic antennae alert but cannot attempt to influence whatever it is they may pick up. He must simply be open and attentive to see if the real nature of the discourse might emerge.

Of course, the world intrudes on his practice with regularity, and both parts of the book braid through each other with the details of the narrator’s domestic existence – his wife whose habits and temperament are quite different from his own; his ever-curious son who interrupts him at every opportunity; interruptions from the telephone or buzzing electrical equipment; his concerns about needing to tie up his books and arrange for moving house; and not least, his role as primary caretaker of the family dog and a newly adopted cat.

Life, as we know, largely consists of intrusions and responsibilities and interruptions and interactions. Fiction, too, must hum with the conflicts and messiness of its characters’ lives. Levrero clearly understands this and it is in these disruptions and the details of the narrator’s attempt to improve his inner life that we come to find Empty Words a brilliant and moving tribute to both the mundane and sublime.

That the handwriting exercises both contain and are about the act of their composition makes for an inherently playful dynamic which is further amplified by the narrator’s commentaries on his anxious world of interruptions, domestic responsibilities, and the wish for whatever is behind the blocked or walled-off part of his psyche to reveal itself to him.

We learn about both the narrator’s life and inner life in the course of his diaristic writing but also through the quality of the writing itself. There is a calm and precision in the language that belies his claims of anxiety (which he partly tracks through the number of cigarettes he smokes in a day). We learn that he is a novelist and that he is quite interested in psychology, sharing with us a number of his dreams, and mentioning in passing such figures as Freud and Jung along with comments on the anima, id, ego, and superego.

The narrator is also a bit of a soul-seeker. He mentions favoring a Zen approach to getting things done (in contrast to his wife’s tackling things by sheer willpower). And his handwriting practice is after all a course of self-therapy in the hope of self-improvement. It’s a start-and-stop process, and the results are a bit tenuous, but the execution of these exercises and his open-ended explorations in the discourse do seem to help him “to place himself within himself,” to learn to go with the flow, and to find a more grounded way to respond to circumstances beyond his control. As he says toward the end: “it’s all a question of finding the right balance, by means of a kind of spiritual acrobatics.”

I think I’ve failed here to communicate what a charming and eccentric character Levrero has created in his protagonist. It was a pleasure to step into his mind as it sought (but sought not) the words that became Empty Words.