It’s become a habit, a sleazy late-night habit, when the stars are out and the ladies are tucked away between chenille and damask sheets. But then we’re not dealing with ladies here are we? Broads, dames, happy cha-cha marimba girls in twirling sequined dresses and little else if you know what I mean and I think you do.
What with a tsunami of ancient pulp novels and short stories being reissued as ebooks, I’m discovering authors and characters I’ve never heard of, brave adventurers I crave to read about again and again. This is not frilly prose filled with multisyllabic words such as “anglepoise” or “asymptomatic” but rapid-fire, clipped writing featuring gats and hooch and stiffs.
Over the past few months, I’ve read little other than pulp and blogged about the same. One of my discoveries this month was Super-Detective Jim Anthony. Let me say that delicious name again: Super-Detective Jim Anthony. Written in the 1940’s before the U.S. entered World War II, Anthony is often described as a Doc Savage clone (no time to go into Savage today), sharing similar characteristics and cohorts. He is a perfect physical specimen, superior athlete, supergenius, inventor, engineer, chemist, and on and on. No time for ladies, duty calls! In Dealer in Death, Anthony must defeat the ultravillain Rado Ruric who is trying to bring down the U.S. in a bloody revolution. If you can imagine a Flash Gordon serial as a novel then you understand the concept.
As with many stories from this time period there are racial stereotypes that we no longer consider acceptable. And of course, women are, well, window dressing, underlings, dames, broads … Well, you get the picture. Dickens it ain’t, but I thoroughly enjoyed Super-Detective Jim Anthony (I could not resist saying it again) and his gang as they saved our beloved nation.
The library does not have a lot of pulp titles as they are long out-of-print, but you can find a few collections of short stories, as well as a book filled with pulp author profiles. Here are some titles worth (wait for it) checking out.
The Mammoth Book of Pulp Action ed. by Maxim Jakubowski
A collection of crime stories written in the 1930’s and beyond, this book features pulp authors such as Erle Stanley Gardner, David Goodis, Hugh B. Cave, Lawrence Block, Frederic Brown, John D. MacDonald and Ed Gorman.
Paperback Confidential: Crime Writers of the Paperback Era by Brian Ritt
This title contains profiles of important pulp authors including Gil Brewer, Paul Cain, Lester Dent, Brett Halliday, Orrie Hitt, Elisabeth Saxnay Holding, Day Keene, Richard S. Prather, Harry Whittington and Cornell Woolrich.
Hard-boiled: an Anthology of American Crime Stories ed. by Bill Pronzini and Jack Adrian
An anthology of crime stories written from the 1920’s to the 1990’s by Raoul Whitfield, Frederick Nebel, James M. Cain, Chester Himes, Leigh Brackett, Jim Thompson and others.
Perhaps it’s hard to compare beautiful prose to pulp writing, but it’s the very hit-or-miss quality of metaphors and similes, the unlikely turns of phrase, the clichés, the “churn-it-out-if-you-wanna-get-paid” quality that makes pulp stories endearing to me. The stories in these anthologies are a good starting point, so find authors that grab your roving eye and then explore their writing further. Strangely, these long out-of-print tales are getting easier and easier to find.
And who can resist writing like this, a statement made by Dolores, the woman in love with … Super-Detective Jim Anthony?
“Jim, don’t you realize that a killer as shrewd as that might have deliberately switched cars, knowing of your gelatine process?”
That, my friends, is pulp.