Mr. Peabody’s Corner of Research and Revelation: Art

In An Object of Beauty, author Steve Martin introduces readers to the rarified world of art dealers and art collectors. As a person who is more likely to collect fez-wearing chimps than fine art, I am not overly conversant with art galleries, auction houses or the quirks of rich collectors. Here we find Lacey, a young woman who will use any means to get what she wants, working in the lower echelons at Sotheby’s. As she rises through the ranks we learn about a variety of artists and styles as well as the behind-the-scenes operations of art auctions. Lacey is not a likeable character, but her careless attitude towards others is more self-centered than malicious. Eventually opening her own gallery, Lacey begins to focus on living artists, and thus Martin introduces the many unusual faces of contemporary art.

The story is narrated by an acquaintance of Lacey’s and he presents her adventures as a cautionary tale. We learn that morally questionable business practices can stall a career (when the perp is caught), that the art world is at the mercy of international economics, and that major events such as the 9/11 terrorist attacks impact business and economics.

Martin’s writing style is delicate and genteel and the narrator creates just the right degree of tension to make the reader wonder what’s going to happen next.

As a result of my narrow focus on fez/chimp related art, many questions arose as I read Martin’s novel. Here are a few of those questions along with some Everett Public Library holdings that might offer answers.

 1)      What goes on in the lives of art dealers?

2)      Martin paints art collectors as a rather idiosyncratic bunch. How much truth is there in this portrayal?

3)      Collectors might see something in a piece of art that I cannot see. How do I learn to better appreciate art?

4)      After primarily selling works of dead European artists, Lacey becomes interested in living American artists. What are some of the trends and techniques in American art and who are the artists who have been successful?

5)      “What is art?” is an all-encompassing philosophical quandary. A simpler version of this question is, “Why is modern art considered to be art?” Paint splatters, found objects and installations where the viewer is part of the artwork have become commonplace means of expression. How can one appreciate such unconventional works?

Gotta go, so much more to learn!

Ron

A Wild and Renaissancey Guy

It was May of 1978 as I sat on the Princess Marguerite with a bunch of older teenagers, trying to be impressively hilarious by (so I thought) imitating Steve Martin’s Wild and Crazy Guy. I’m pretty sure the other kids thought I was having a seizure.

In later years I came to love his goofball comedies like The Jerk and The Man with Two Brains for their hilarity, but somewhere along the way I discovered that Mr. Martin (or Steve as his friends might call him) is a fine actor. In 1987’s Roxanne, a modern retelling of Cyrano, Martin (or Mr. Martin) presented what I thought was an Oscar-worthy performance as a wonderful guy with a huge nose.

Throughout his performing career, every now and again I would see Steve (or Steverino) play banjo and think to myself, “Hey, this guy’s good.” And now he’s making fabulous bluegrass albums.

He has written comedic books such as Pure Drivel, novels like An Object of Beauty, and theatrical plays, for example 1993’s Picasso at the Lapin Agile.

Even children’s books are not safe from Mr. Martin’s (Steve’s) multi-genre-al skills.

I have seen him dance divinely in Pennies from Heaven, perform in ridiculous and hilarious skits on Saturday Night Live, and juggle kittens.


Somewhere along the way, namely in 2003, Little Steve-O became the #4 box office star in moviedom. Not bad for someone who at one point had only his friends and his thermos. Here are some movies the S-Dog (Stevabamalama) can be found in:

Did I mention that he makes fabulous balloon animals?

What we have here in Steve Martin is a Renaissance guy in the true spirit of the word, a man who has mastered not just one but many artistic forms. I find this to be truly amazing. Perhaps it is difficult to take a comedian seriously, but Steve Martin has some serious talent.

In Katie Couric’s book The Best Advice I Ever Got, Martin cites a quote by e. e. cummings:  “Who would be secure? Any and every slave.” Which leads me to believe that he is not a secure person, for Steve Martin is not a slave to people’s expectations nor to artistic norms. He’s a wild and renaissancey guy.

Ron