When Is an Umbrella Not an Umbrella?

Bum-ber-shoot. Noun.
(1)    Another name for an umbrella.
(2)    An incredible music & arts festival held every Labor Day weekend at Seattle Center.

I have lived in Washington for nearly a decade. In that time, I have attended exactly one day of one Bumbershoot. It was back in 2009, but the memories still live in my soul. I had friends visiting from the Midwest. I left the tickets at home and had to ride the Monorail and two buses home & back, cringing the whole way. We saw Katy Perry, All-American Rejects, Iglu & Hartly, and the Old 97’s. We left when Sheryl Crow came on, partly because she’s from where we’re from and we were inundated with her music ever since she hit it big in 1993. But mostly we left because we were utterly exhausted and didn’t want to miss the late bus back to Snohomish County.

BumberGroup

The author and her fellow concertgoers.

The amount of crazy energy that charges everyone at a music festival is different, to me, than that of just a regular concert. It takes your breath away, keeps fatigue at bay, and gets you excited about almost anything. C’mon! We saw Katy Perry for crying out loud. If we could get excited about her, we knew no one that day could disappoint us.

When Bumbershoot recently announced this year’s music lineup, I knew it was time to hang up my Old Fart Cardigan and put on my Young Punk Tee. I know it’s impossible to see all the acts you want to see at a festival. I know that the comedy tickets (lineup will be announced later this summer) are nearly impossible to score. And I know that before the weekend is over I will be worn out and feeling older than my age suggests I should feel. But it’s so worth it to see, sometimes in very intimate venues, bands that I love and/or respect.

All American RejectsOld 97s

If you’d like to try some bands before the big day(s), here’s a set of tunes from Bumbershoot 2013 artists that you can listen to, for FREE, courtesy of your library.

Are you going? Who are you most excited to see? And the most important question: are we there yet?

Carol

My Love of Pandora

Pandora. Most may recognize this name from Greek mythology:

Pandora’s box is an artifact in Greek mythology, taken from the myth of Pandora’s creation in Hesiod’s Works and Days. The “box” was actually a large jar (pithos) given to Pandora (“all-gifted”, “all-giving”), which contained all the evils of the world. Today, the phrase “to open Pandora’s box” means to perform an action that may seem small or innocuous, but that turns out to have severe and far-reaching consequences.

Thanks Wikipedia!

Today, dear reader, I’m going to refer a lot to Pandora, but I’ll actually be talking about the streaming Internet radio service. Just like its mythological roots, this Pandora can open a whole new world of listening possibilities. Over time, as you indicate which songs you love (and hate) you can actually cultivate a personalized radio station tailored just to you.

Walk the MoonMy favorite method for discovering new music is to build a station around my current musical obsession. Recently I discovered Walk the Moon. This Cincinnati group has taken my world by storm. I love everything about their music: the energy, the lyrics, and just the way the songs make me feel when I listen to them. The music is upbeat and cheers me up, and the lyrics are so catchy I can’t stop singing. Songs like “Jenny” and “I Can Lift a Car” can be heard at any given moment in my home. But “Shiver, Shiver” has risen to epic status in my mind. Play it any time and I’m guaranteed to dance. Although I’m not nearly as good as the friend-of-the-band who gets his groove on in the music video, I can’t possibly give him a run for his money.

So I created a Walk the Moon station on Pandora and came up with some great new favorites, as well as re-discovering some old ones. Pandora has some sort of mystical algorithm (aka magic) that selects music based on the similar characteristics of the group or style you started out with. Without further ado, here are some of the best artists I’ve discovered (or re-discovered) as a result of my Pandoric adventures.

EmpireDiscoveryTemperTrap

Empire of the Sun: These guys from Australia have exactly one album we can get our hands on here in the States. From 2008, Walking on a Dream feels like a total throwback to 80s era new wave synth. And it is. But it’s also highly addicting. The album title is appropriately named: if I had to choose a soundtrack for my dreams, it would be this. If you get a chance to listen to this album, take a moment (not while driving, please) to close your eyes and see where your imagination takes you–you won’t be disappointed. Unless you were driving, in which case I wash my hands of you.

Discovery: This is another group I’d never heard of before Pandora. Granted, I cataloged their album LP back in 2009, but I didn’t need to listen to it. Finding out that your library owns the entire album of the incredible song you just heard on Pandora is comparable to how Charlie felt when he found the golden ticket that would open the door to Willy Wonka’s factory. The two guys who make up Discovery, Rostam from Vampire Weekend and Wes from Ra Ra Riot, had already captured my heart through their more well-known bands. This little side project of theirs has me humming throughout the day.

Temper Trap: I kinda sorta had heard a song of theirs on AltNation (SirusXM satellite radio channel 36 for those not in-the-know). I also kinda-sorta took advantage of the fact that I work for the library to beg and plead for the music selector to purchase their older stuff, which I actually think is more fun than the newer songs. It worked, and I have been spreading the word about Temper Trap ever since. Temper Trap is another Australian group that is informing the whole sound of indie rock worldwide. While their eponymous 2012 album features an emotionally satisfying “Trembling Hands,” 2009′s Conditions sizzles with hits like “Sweet Disposition,” “Love Lost,” and my personal favorite, “Fader.” In fact, I say if you give “Fader” a listen you’ll become a fan.

FosterThePeopleFoster the People: Like most people, I first heard about this LA group a couple of years back when they started receiving big name music award nominations from the likes of Billboard, Grammy, and MTV. “Pumped Up Kicks” has got to be their most well-known song. Me being me, however, I am hooked on the lesser-known “Call It What You Want” and “Houdini.” It’s super-difficult to classify these guys as just one style of music. “Call It What You Want,” for instance, has many elements found in disco, of all things. But Foster the People know what they’re doing and so I am content to sit back and let them take me on a musical journey.

The Postal Service / Death Cab for Cutie / Ben Gibbard: Ben Gibbard is a musical genius. If you listen to any of his projects, including his solo effort, you’ll probably not notice anything too outstanding or obviously revolutionary. But that’s why he’s so good. He and his various band mates create songs that are a bit subliminal in their genius. The melodies and lyrics enter through your ears and into the ear canal. Before you know what’s hit you they’ve entered your soul and you’re forever changed. I know a lot of people will disagree with me, but sometimes the most incredible artists of all just keep it on the down-low. And that’s fine by me.

PostalServiceDeathCabGibbard

So there you have it. Yet another reason why you should definitely pay attention when the world changes around you. Had Pandora passed me by, I would never have gotten such a wealth of new music infused into my life.

Thanks, Pandora!

Carol

Don’t Panic!

Tick, tick, tick. That’s the sound of the holiday shopping clock running out. If you are among the millions of people who still have some holiday gifts to purchase, panic may be setting in at this point. You probably have the major players (spouse, parents, children) covered by now but those hard to gift folks (friends, co-workers, distant relations) may still be on your list. If you are still scrambling for gift ideas, let us show you a little library secret that might be of assistance.

The New Titles feature of our library catalog can be a great source for gift ideas. This menu allows you to browse the latest books, movies, and music recordings that are currently available. From the Everett Library webpage simply click on the library catalog and then check out the New Titles section on the right sidebar. In addition, several new title lists are displayed on the front page of the catalog itself.

Here are just a few of the new books listed:

Science of LoveTimeless MakeupUnfair TradeBruceKings and Queens of BritianBest Dog Ever

How about some new movies:

Dr. Who Series SevenDark Knight RisesOdd Life of Timothy GreenHope SpringsThunderstruckTed

And don’t forget the new CDs:

Tender TrapSwing to MagellanGreen Day

We hope this helps with your last-minute shopping. And remember to cut yourself some slack. It is the thought that counts after all.

Freddie For a Day

I wasn’t fortunate enough to grow up in a time when Freddie Mercury, lead singer of Queen, was alive and popular. I didn’t start listening to music until the 90s and sadly by then he was gone. That didn’t stop me, in adulthood, from chasing down everything he and Queen did, both musically and visually. I couldn’t get enough of their writing, his singing, and all that amazing music. And I still can’t get enough to this day.

Imagine my glee when I discovered that there is a worldwide remembrance on Freddie’s birthday. Every September 5th is Freddie For a Day. People all over the world dress up like Freddie Mercury to celebrate his life and to help promote awareness of AIDS. In many cases, people actually acquire sponsors whose donations go to AIDS charities.

This year marks the 20th anniversary of the first Freddie For a Day, and I’m psyched to participate. I’ll be wearing some Freddie-esque attire to work, possibly including a moustache. I’ll also be hosting a Freddie bash for my friends. And, of course, any holiday wouldn’t be complete without the appropriate reading material to get me in the spirit of it all.

40 Years of Queen by Harry Doherty is designed to look like the ultimate roadie’s scrapbook. Band members Brian May and Roger Taylor introduce this authorized history of the band, complete with reproductions of memorabilia and over 200 photos. If you don’t have a lot of time but really want to learn more about Queen, you’ll definitely want to check out this book.

Is This the Real Life? The Untold Story of Queen by Mark Blake and Mercury: an Intimate Biography of Freddie Mercury by Lesley-Ann Jones are still on my to-be-read shelf. Both are written by former music journalists who have not only done their research but also conducted new interviews with everyone central to Queen and Freddie Mercury. Each book is about 400 pages long–but don’t worry. There are many pages of photos in each to keep you going.

Proper holidays also demand some great music for an appropriately festive celebration. For Freddie For a Day, we have at our disposal the majestic music from both Queen:

A Night at the Opera (Lazing on a Sunday Afternoon and Seaside Rendezvous, while not the obvious hits, are still my favorites from this album)

Jazz  (Dreamers Ball and Don’t Stop Me Now are my all-time favorite Queen songs)

Sheer Heart Attack (Killer Queen and Now I’m Here get me moving–and singing–every time)

News of the World (mega hits like We Will Rock You and We Are the Champions dominate, but Spread Your Wings will warm your heart)

Platinum Collection: Greatest Hits I, II, III (Under Pressure, Seven Seas of Rhye, and Princes of the Universe hold their own against Hammer to Fall and Crazy Little Thing Called Love)

…and Freddie on his own:
Lover of Life, Singer of Songs: the Very Best of Freddie Mercury Solo (The Great Pretender and I Was Born to Love You will always break my heart)

    

There’s also an emotional and in-depth documentary, Queen: Days of Our Lives, that’s worth screening for the more devout Queen follower. Recent candid interviews with band members Brian May and Roger Taylor are interwoven with footage of past interviews with Freddie, Top of the Pops performances, and clips from music videos, both from Queen and Freddie’s solo works.

Freddie For a Day has the potential to spread awareness about a disease that has not been cured, contrary to what many people believe. It also has the potential to be the most fun holiday of them all. So grab your caterpillar moustache and glam-rock attire and join me on September 5th as I remember a great man and become a part of his legacy.

Carol

New-To-Me Music

Growing up in the Midwest, trends in fashion, music, and even slang often took a while to enter my life. And those really of-the-moment trends? Well, let’s just say they were already out of style everywhere else by the time Southern Illinois got a hold of them.

  

Thankfully today we live in an era where social media and Perez Hilton alike keep us freshly updated with all things trendy. We even have Internet radio stations and satellite radio in many cars so the whole country can hear the same music at the same time.

So really there’s no excuse not to already know and love the songs and bands I’m going to list below. No excuse, unless you’re like me and are still experiencing a little Southern Illinois slowdown in your life. Some trends filter through quickly and others take some warm-up time. It’s a relief, then, knowing that great music never goes out of style.

  

Beekeeper’s Daughter by All-American Rejects
Shuffle by Bombay Bicycle Club
Some Nights by Fun
Tongue Tied by Grouplove
Junk of the Heart by The Kooks
Midnight City by M83
Punching in a Dream by Naked and Famous
Everybody Talks by Neon Trees
Simple Song by The Shins
Silence by The Ting Tings
Float On by Modest Mouse
Rack City by Tyga
Run by Vampire Weekend
Burn It Down by Linkin Park
Loca by Shakira
Supermassive Black Hole by Muse
Sweet Disposition by The Temper Trap
Houdini by Foster the People
North American Scum by LCD Soundsystem
Little Shocks by Kaiser Chiefs
Blood Pressure by Mutemath

  

So that’s what I’ve been listening to lately. You could call this a summer playlist because it would be a proper companion to doing a lot of summer-type things: island-hopping, washing the car, and hitting the farmers’ market. But not all of these songs are brand new. Still, I encourage you to give them a try. The library has copies of everything listed above. Who knows? Much like a random road trip, you may discover something great.

Carol

Music, Music, Music!

It’s the time of year when savvy hipsters start planning to attend summer concerts. From Arlington to Everett, Woodinville to Seattle, outdoor music will soon abound, with ticket prices ranging from free to less than the cost of a college education.

If I could choose only one of the many fine offerings coming to our fair region, I would be hard pressed to decide between the sultry voices and hypnotic stylings of Madeleine Peyroux and Diana Krall. Then again, I do have a morbid curiosity to witness a not-so-youthful Blondie singing songs of teenage romance and lust. Or even better yet, it’s been 30 years since I’ve seen Devo perform and it might be fun to see if any of the members are still climbing speaker stacks and jumping off of them whilst soloing.

Decisions, decisions.

To fully prepare yourself for a concert (and the quiz that’s sure to follow), check out some CDs from Everett Public Library.  Many of these visiting artists can be found in our hallowed halls, or at least on our hallowed CD racks.

Here are a few of the performers coming to our neck of the world this summer:

BLUEGRASS
Steve Martin & The Steep Canyon Rangers

 

BLUES
Ray Wylie Hubbard


COUNTRY

Rosanne Cash     Steve Earle and the Dukes     Asleep at the Wheel     Lee Brice
Alison Krauss     Emmylou Harris     Lyle Lovett

  

FOLK
Leo Kottke     Buffy Sainte Marie


JAZZ

Madeleine Peyroux     Dr. John     Diana Krall

 
KIDS
The Brian Waite Band

 

NEW AGE
Tingstad & Rumbel
 


POPULAR
Pink Martini     k.d. lang     Jake Shimabukuro     Shawn Colvin


REGGAE

Ziggy Marley
 


RHYTHM
Mavis Staples     Earth, Wind & Fire
 


ROCK
Melissa Etheridge     Los Lobos     Grace Potter     Los Lonely Boys   
Alejandro Escovedo
Chicago     Crosby, Stills & Nash     Bonnie Raitt     Blondie
Devo     Chris Isaak      Steve Miller Band     The Beach Boys
Ringo Starr     Boz Scaggs     Michael McDonald     Donald Fagen
 



 

WORLD
Ladysmith Black Mambazo     The Johnny Clegg Band     Mickey Hart

Ron

Taking a Chance on Drive

There are many lofty reasons to be fond of public libraries. Their promotion of literacy, the way they bring the community together, and, of course, ensuring access to all kinds of information. But there is another reason and it is one of my favorites: The ability to root around in pop-culture’s closet for free.

My latest example of this phenomenon is the 2011 film Drive. With the title suggesting one long car chase, it is not the kind of film that would normally pique my interest. Having read a review or two that mentioned its imminent cult status, plus only needing a library card to view it, I decided to give it a try.

Now there definitely is a car chase or two in the film, but don’t let that scare you off. Drive is essentially a quirky modern day film noir with 80s highlights. A nameless anti-hero, played by Ryan Gosling, works as a part-time stunt driver and hires himself out as a getaway driver for cash. As with all film noir, things eventually fall apart but not before he develops an attachment to a single mother (Carey Mulligan) who lives down the hall in their seedy apartment complex. There are also great supporting performances by Albert Brooks, as the lead villain no less, and Bryan Cranston, who will always be Mr. White from Breaking Bad to me.

While the plot description sounds pretty standard, the tone of the film is not. Dialog is kept to a bare minimum and the odd romance, comprised of lots of significant stares but not much else, is contrasted with the hyper-violence of the crime plot. Though I definitely liked the film overall, I must admit that I got a little lost towards the end and began asking myself questions like “Who is that guy, and why is he getting killed?”

Luckily, the library has the book the film was based on, Drive by James Sallis, to help me try and sort things out. With hardly a whiff of romance, this book is hard boiled and as straight down the line as they come. A quick read, at a mere 158 pages, it is stark and plot driven, but a lot of fun. If you want to continue the story, there is a sequel, aptly titled Driven, which has recently been published.

Are you a fan of 1980s synth music? Do you think it is perfectly acceptable to explain plot points with a montage and a cool song? If so you definitely want to check out the Drive Soundtrack. I would have sworn the bands were from the early 80s but they are all modern and hail from France, Montreal and Portland. Is it retro, a new trend or some odd version of nostalgia? Quite frankly, who cares? It is just freaking awesome to me.

So remember those lofty reasons for loving public libraries, but don’t feel ashamed to take a chance now and again. What have you got to lose?

Richard

A Wild and Renaissancey Guy

It was May of 1978 as I sat on the Princess Marguerite with a bunch of older teenagers, trying to be impressively hilarious by (so I thought) imitating Steve Martin’s Wild and Crazy Guy. I’m pretty sure the other kids thought I was having a seizure.

In later years I came to love his goofball comedies like The Jerk and The Man with Two Brains for their hilarity, but somewhere along the way I discovered that Mr. Martin (or Steve as his friends might call him) is a fine actor. In 1987’s Roxanne, a modern retelling of Cyrano, Martin (or Mr. Martin) presented what I thought was an Oscar-worthy performance as a wonderful guy with a huge nose.

Throughout his performing career, every now and again I would see Steve (or Steverino) play banjo and think to myself, “Hey, this guy’s good.” And now he’s making fabulous bluegrass albums.

He has written comedic books such as Pure Drivel, novels like An Object of Beauty, and theatrical plays, for example 1993’s Picasso at the Lapin Agile.

Even children’s books are not safe from Mr. Martin’s (Steve’s) multi-genre-al skills.

I have seen him dance divinely in Pennies from Heaven, perform in ridiculous and hilarious skits on Saturday Night Live, and juggle kittens.


Somewhere along the way, namely in 2003, Little Steve-O became the #4 box office star in moviedom. Not bad for someone who at one point had only his friends and his thermos. Here are some movies the S-Dog (Stevabamalama) can be found in:

Did I mention that he makes fabulous balloon animals?

What we have here in Steve Martin is a Renaissance guy in the true spirit of the word, a man who has mastered not just one but many artistic forms. I find this to be truly amazing. Perhaps it is difficult to take a comedian seriously, but Steve Martin has some serious talent.

In Katie Couric’s book The Best Advice I Ever Got, Martin cites a quote by e. e. cummings:  “Who would be secure? Any and every slave.” Which leads me to believe that he is not a secure person, for Steve Martin is not a slave to people’s expectations nor to artistic norms. He’s a wild and renaissancey guy.

Ron

How We Hear Music

One of my favorite anecdotes tells of Abraham Lincoln taking a Native American leader to an orchestral concert in Washington D.C. Three pieces were played, each by different composers such as Beethoven, Bach and Mozart. At the end of the performance Lincoln asked his guest what he thought of the concert and the man replied, “It was very nice, but why did they play the same piece of music three times?”

When westerners listens to music they expect it to follow certain rules, even if they’re unaware of this habit. If the rules are not followed to some extent, the music might sound confusing or unappealing. Presumably, all cultures expect music to follow certain rules. However, these rules differ from culture to culture.

Western music is extremely goal-oriented. Tension and resolution occur repeatedly until finally a climax is reached, with perhaps a short denouement rounding off the piece.

 Most non-western music, by contrast, is not goal-oriented. If one listens to Indonesian gamelan music with a Beethoven symphony as a model for musical expectations, one will be sorely disappointed. Gamelan, the name of the orchestra as well as the name of the music, is circular in nature. Patterns of a certain length repeat, and with each repetition new bits are added and subtracted. There’s nothing that a westerner would recognize as a melody, and there is no melodic or harmonic tension and release. The music can be stunningly beautiful, but confusing to the uninitiated.

African drum-based music relies on intricate variations in rhythm as a method of development. While each drum might be tuned to a different pitch, there is nothing readily recognizable as a melody in the music.

Bulgarian vocal music utilizes tight, dissonant harmonies and an extremely nasal vocal technique.

Tuvan throat singing showcases a single person singing two pitches simultaneously: one a low frog-croak of a drone, the other a high wispy melody.


Many cultures rely heavily on improvisation in their music. In India, classical musicians train furiously in the use of ragas (melodic scales) and the rules that govern ornamentation and improvisation over those ragas.


It seems odd to refer to Native American music as non-Western since it occurs geographically in the west, but stylistically the music does not fit under the “western” umbrella. Typically, Native American flutes are tuned to pentatonic scales, which produce melodies that are not goal-oriented but rather are in a somewhat pensive mood.

Native American flute music is often meditative, improvisational, and inspired by nature. If you’d like to experience this music in person, come hear Peter Ali perform at the Main Library Auditorium, Monday, February 6, 6:30-7:30 pm as part of the Everett Reads! progam. In addition to presenting flute music, Ali will share stories relating to his heritage and the flutes that he plays. Take advantage of this unique experience to gain insight into a possibly unfamiliar musical tradition.

Ron

Let There Be Post-Punk

Recently, boys and girls, we learned all about the early punk rock movement and how it revolutionized rock music in the mid seventies. Another important genre from this time period is known as post-punk, post from the Latin for “after” and punk from the Indo-Iranian for “bad haircut.” However, in a stunning bit of originality, post-punk did not come about after punk but rather at the same time. This would be what I think of as Confusion #1. Confusion #2 could be stated roughly as: Post-punk is not a single particular style. Hence, it’s a difficult music to pin down or summarize. Yet here I go.

My vision of post-punk is as a weird and challenging music with angular lines and dark subject matter. The vocalists often sing with reedy, quavering voices exploring all known vocal registers (and some that have yet to be discovered). The music can be extremely repetitious and filled with odd time signatures. Artsy and experimental sum it up pretty well.

                                   

Post-punk poster children Joy Division featured a dark, brooding sound, lyrics filled with abject hopelessness, and driving synthesizers. One of their best known songs, Love Will Tear Us Apart, is a bit atypical in its musical cheerfulness (although lyrical depression still abounds) and infectious poppiness, but it stands out as one of the anthems of post-punk. Following the death of the lead singer, Joy Division morphed into New Order, a band which bridged the gap from post-punk to synth pop.


When Devo hit the scene in the late 70’s they were a weird bunch, dressed in radiation suits and creating surreal videos at a time when MTV had yet to be birthed. Their first album, Q: Are We Not Men? A: We Are Devo!, is filled with odd rhythms, occasionally frightening caterwauling, strange topics, and a reliance on synthesizers rather than the traditional instrumentation of a rock band. Over the decades the band moved towards the mainstream and today Mark Mothersbaugh, an original member of Devo, is one of the hardest working men in showbiz, writing soundtracks for movies, TV shows and children’s cartoons.


The first video I ever witnessed on MTV was Don’t You Want Me by The Human League. The band had already released some impressive albums in the UK, but it was the 1981 release of Dare that finally brought attention to this talented group in the US. While their first two releases are filled with oddities, Dare is simply a pop gem of synthesizer-based music. Some songs brood, others infectiously bring a need for quasi-legal dance moves. The Very Best of the Human League focuses on their accessible music, largely ignoring their first two albums of challenging yet rewarding songs.


Mission of Burma, a little-known Boston band, made some of the greatest music of the early 80’s. Pounding toms, complicated song structures, fury-fueled enthusiasm and generally riveting music caused MOB to outshine their contemporaries. There is a raw intensity to the band’s sound, a musical teetering-on-the-edge between amazingly excellent music and potentially vicious wipe outs. Vs. invites repeated listenings, and in three decades its magic has yet to abate.

         

It pains me not to gush on and on about Talking Heads Remain in Light, an album filled with booming funk riffs, R&B/soul covers and strange tales of alienation; or Pere Ubu’s Dub Housing which features perhaps the strangest vocals you’ll ever find, mixed with some beautifully sloppy instrumental playing; or Johnny Rotten’s foray into post-punk with PIL, a group as far-removed from The Sex Pistols as possible; or the incredible guitar work found in Television’s Marquee Moon. Not to mention the bass-ment singing of Nick Cave or infectious quirky grooves of The Feelies. But sadly, room does not permit to speak of every amazing group out there.

         

So do some research and listen to a variety of bands. You might hate some and love others, or at the very least learn something about rock history. As they say in the business world, it’s a win-win situation.

Ron