These titles – from established, emerging, and under-the-radar authors – are some of the most anticipated new releases based on a consensus of advance reviews, publisher interest, and bookish social media. Click the montage below and then the Full Display button beside each title to read summaries or reviews or to place titles on hold.
Every month our fiction buyer scours the new fiction landscape and presents here a curated list of some of the most anticipated new releases based on advance review praise, publisher enthusiasm, library- and lit-crowd social media, and other sources (some well below the radar).
Click the book cover montage below to read summaries or reviews or to place titles on hold.
Herbert Read’s three-part novel, The Green Child, starts out with a bang. In the first paragraph, a South American dictator’s assassination is revealed to have been faked as he, our protagonist Olivero, is on his way now by ship to Europe.
You know, it really might be best to start reading this book without knowing anything more (I’d save the book’s Introduction as well until after you’re done). But if you’re going to disregard this advice, I’ll let you know that this book explores such wide-ranging things as the structure of society and political systems (especially of a Utopian sort), the value of surrendering to wherever your personal destiny will lead you, and the possibility of alternative worlds with their own integrally complex cultural beliefs and practices.
The three sections of the book are distinctly different. The first part of the novel, concerns Olivero’s return home, after thirty years away, only to discover the stream where he once spent so much time is now flowing in the opposite direction. His moonlit investigation into this conundrum is quickly compounded and sidetracked (in ways you will simply have to discover for yourself) before the chapter ends in a most dramatic fashion.
The middle section deals with the protagonist’s stumbling into the role of benevolent autocrat for a small community in inland Argentina. My only quibble with the book is just how smoothly things go for Olivero once he gets to Argentina, but it’s fascinating and fun to watch as he and a few others work to overturn the existing government and institute the ideals of revolutionary Europe which have come down to us from Voltaire, Rousseau, and Volney.
The third part of the book picks up – in a through-the-looking-glass way – where the first left off and shows Read as an effective world-builder. This section places Olivero and the green girl in reversed roles from what we found in the first chapter, only this time the individual’s attempt to adjust and assimilate into an utterly foreign culture is brought to full maturity in a calmly beautiful conclusion.
But stop, I’ve already said too much. Step away from whatever screen you’re reading this on and go treat yourself to a most unusual and thought-provoking reading experience. The Green Child awaits.
There are plenty of opportunities to read about his life, so I thought I’d share how Terry (as I called him in my head) affected me.
I was raised on Monty Python. Their brand of humor is somewhat unusual, and when they more or less ceased to function as a group there was a hole in my humor reserves. I’m not sure exactly when I discovered Mr. Pratchett (as he required me to call him), late 80s or early 90s, but I do remember the moment of discovery.
It was a day like any other day, except that it was unique, and I was making my weekly pilgrimage to the Everett swap meet. There amongst some books I spied Witches Abroad. The cover art was silly and the book’s description was, well, extremely silly, and I was immediately taken by this post-modern fairy tale and the amazing character of Mistress Granny Weatherwax.
Discworld, where many of his books take place, is sort of a sideways version of Earth, mostly focused on a semi-pre-industrial quasi-Europe. The planet’s inhabitants face the same problems that we do, and Pratchett, amongst non-stop wet-your-pants hilarity, offers precious daubs of wisdom. Describing this fantasy world in brief is just not possible, but it is a place I think of fondly, much as one might of Oz or Hogwarts or… well, nowhere else I can think of.
It would be impossible to choose a favorite, but Monstrous Regiment is a Discworld novel that stuck with me. The general premise is that there’s a war, a girl’s brother goes off and does not return so she impersonates a man and enlists (wait, this is sounding familiar…), her regiment of misfits becomes notorious, and, well, read the book! But amidst all the belly laughs and borrowing from Shakespeare, Pratchett makes deep and insightful points about war. And this sums up his best books: gut-wrenchingly funny and poignantly wise.
I will miss anticipating the latest Discworld novel, but I revel in the knowledge that there are over forty of them to read and read and read again. And so I leave you with the final tweet from Sir Terry Pratchett’s Twitter feed, released after his death.
[Death speaks]: “AT LAST, SIR TERRY, WE MUST WALK TOGETHER,” it stated. Terry took Death’s arm and followed him through the doors and on to the black desert under the endless night. The End.
I’m in a rut, in a rut, in a rut rut rut root, rutabaga!
Ah, blessed escape.
As much as I enjoy pulp mysteries, I feel that 2015 needs to be a year of expanded reading interests. Books written in 2015, non-fiction, plots or genres I don’t typically pursue – these will be my (alleged) focus for the year. But for the moment I am returning to my sordid past. You see, I am a recovering science fiction nerd.
For years, the only books I read were sci-fi. I have a couple of theories as to the why of this, but one definite appeal of the genre is that literally anything can happen. Not so in most fiction. Your average book about a lawyer suing the greedy corporations that are destroying her home in Alaska is not going to feature the Loch Ness Monster as a key witness (although that would be way cool and probably improve the story). There are laws of reality that most stories need to obey. Sci-fi, however, creates its own laws.
The Well of Lost Souls series, written by Jack L. Chalker, is one of my favorite examples of what science fiction can be. Chalker was not an outstanding writer, but he was incredibly imaginative. For this series he created the Well World, a planet which serves as a testing ground for potential species, sort of a cosmic petri dish. Each species has its own hexagonal region (1,560 regions total) that serves the needs of its inhabitants – temperature, atmosphere and so on. As the main characters travel the planet they pass through many regions and the reader is introduced to a stunning array of unique creatures and environments. No other book or series I’ve encountered is packed full of such diversity.
Dhalgren by Samuel R. Delany
Dhalgren is on my soon-to-be-read list. As far as I can recall, I’ve never read anything by Delany, but he is one of the names uttered with a hint of reverence in the sci-fi field. This book’s description is mesmerizing, and I’ve read several reviews that refer to it as one of the most important science fiction novels. How can one resist this summary?
In Bellona, dead centre of the US, something has happened. The population has fled; madmen and criminals wander the streets. Strange portents appear in the cloud-covered sky. Into this disaster zone comes a young poet, lover and adventurer, known only as the Kid.
He had me at “centre”.
The Man in the High Castle by Philip K. Dick
Philip K. Dick is probably best known for writing Do Androids Dream Of Electric Sheep?, the novel that Blade Runner is based upon. While this movie might be complex, his books are beyond difficult to describe. Perhaps visualize a mix of reality and fantasy and hallucinogenic drugs, and then throw this psyonic kaleidoscope into a hyperbole tornado, replete with fevered visions and tapioca (the tapioca is for me; I like it), swirling at the speed of sound through an uncertainty transmogrifier. Dick’s books are challenging, even bizarre, but extremely rewarding. The Man in the High Castle features an alternate history wherein the Allies lost WWII. Germany controls most of the United States, but Japan runs the west coast. These two superpowers, though allies in war, do not trust each other, so espionage, intrigue and budding conflict become part of everyday life. While this description sounds fairly straightforward, the story is anything but. Ultimately, it’s a tale of day-to-day life in a United States that never existed and an examination of the eternal what’s-it-all-about. From a local interest standpoint, Amazon recently created a pilot for a series based on the book, and most of the filming was done in Seattle, Monroe and Roslyn (home of Northern Exposure).
Like any genre, sci-fi can be trite, repetitive and boring. But its cream is amongst the best literature flung from a pen. So stroll the Science Fiction aisles at EPL and prepare to BLOW YOUR MIND (mind-blowing clean up gear not included).
The Notable New Fiction list for February is here.
Lots of advance praise for the new offerings by Anne Tyler, Kate Alcott, and Laura Lippman. And February is the month for short stories with stellar new collections by Charles Baxter, Katherine Heiny, Jonathan Lethem, Kelly Link, Neil Gaiman, and Rose Tremain.
Among new authors, Tom Cooper presents a noir-ish post-Katrina comic thriller, and there’s a lot of enthusiasm for the first books by Jonas Karlsson, M.O. Walsh, Laura van den Berg and Lucy Atkins.
In addition to Lippman’s new standout, crime readers will want to check out the titles by Frances Brody, Colette McBeth, Helene Tursten, Michael Kardos, and Gold Dagger-winner Mick Herron.
Science fiction and fantasy readers can look forward to V.E. Schwab’s latest (after last year’s popular Vicious) along with new books by Elizabeth Bear, Joe Abercrombie, and Marcus Sedgwick.
Click here to browse the list or place titles on hold.