Get the jump on these highly anticipated new releases coming out in March.
Click the book cover montage below to read more or to place titles on hold.
The Notable New Fiction list for February is here.
Lots of advance praise for the new offerings by Anne Tyler, Kate Alcott, and Laura Lippman. And February is the month for short stories with stellar new collections by Charles Baxter, Katherine Heiny, Jonathan Lethem, Kelly Link, Neil Gaiman, and Rose Tremain.
Among new authors, Tom Cooper presents a noir-ish post-Katrina comic thriller, and there’s a lot of enthusiasm for the first books by Jonas Karlsson, M.O. Walsh, Laura van den Berg and Lucy Atkins.
In addition to Lippman’s new standout, crime readers will want to check out the titles by Frances Brody, Colette McBeth, Helene Tursten, Michael Kardos, and Gold Dagger-winner Mick Herron.
Science fiction and fantasy readers can look forward to V.E. Schwab’s latest (after last year’s popular Vicious) along with new books by Elizabeth Bear, Joe Abercrombie, and Marcus Sedgwick.
Click here to browse the list or place titles on hold.
Occasionally a library patron will be searching for a book and can only remember that it has a certain colored cover. It’s usually hard to find books just by color, but here’s a group of blue books that you’ll surely want to find. They obviously all have blue covers, but they are also about some sort of human frailty. I’ve read almost all of them in the last month. Mostly, they’re all excellent!
All the Light We Cannot See by Anthony Doerr is the one that everyone is talking about and you’ll need to cue up for this New York Times best seller. It is a brilliantly beautiful novel about a blind French girl and a German boy whose paths collide in occupied St. Malo, France as both try to survive the devastation of World War II. That sounds like it’s been written before, doesn’t it? Yet, this book was amazing because of wonderfully complex characters, brilliant writing, a fast-paced tempo, a romantic setting and an interesting plot. I highly recommend it!
Moonlight Sonata at the Mayo Clinic by Nora Gallagher was recommended by a co-worker (Thanks, Julie!). It is a poignant memoir about a woman who is healthy and happy and competent but who all of a sudden has vision problems which lead to a spiral into a new life she calls “Oz”: a life full of doctors, medical appointments, and feelings of powerlessness. She also gains a deeper understanding of human frailty and questions her religion and her God. I enjoyed this introspective book about facing disease.
The Story of Land and Sea is by Katy Simpson Smith who in elegant, lyrical prose, confronts the stark cruelty and hypocrisy of Revolutionary-era slavery, as well as the pain and grief suffered by the powerless and powerful alike. At first, this slim historical novel seems to be this simple story of a Revolutionary-era family, a former sailor whose wife died in childbirth and who is now taking his young daughter to sea in hopes of curing her yellow fever. The story quickly opens up, however, jumping back in time to his wife Helen’s youth on her father’s plantation. There we meet Moll, a slave given to Helen when both were children, and see how uneasily their relationship, a disturbing blend of friendship and mistress-servant obligation, unfolds as they grow up.
Still Alice by Lisa Genova was also recommended by Julie (I make a habit of asking folks if they’ve read anything good lately). This novel reads like a memoir because Genova has used her own background in Neuroscience at Harvard to create a realistic portrait of 50 year-old Alice Howland who is also a professor of Linguistics at Harvard. When Alice begins to forget things -even words- she must face the horrific possibility that she has early onset Alzheimer’s disease. This book is far from depressing as it clearly explains the testing, treatment options, and symptoms of the disease within the context of an absorbing family drama. It is a very readable primer for anyone touched by Alzheimer’s.
The Light Between Oceans by M. L. Stedman is the perennial New York Times bestseller soon to be a major motion picture from Spielberg that is “irresistible…seductive…with a high concept plot that keeps you riveted from the first page” (O, The Oprah Magazine). After four years in the Great War, Tom Sherbourne takes a job as a lighthouse keeper on a remote Australian island. His young wife, Isabel, who has suffered two miscarriages and a still-birth, finds a boat washed ashore with a dead man and a live baby. Tom wants to report it straightaway, but Isabel convinces him that Lucy is a ‘gift from God.’ They return to the mainland when Lucy is two and learn that their decision has greatly impacted others. To quote Julie: “Oh my goodness! That was a great book!”
If you’ll humor me, I’ll add two more blue books to this list even though I haven’t read them yet: The Vacationers by Emma Straub and Crusoe’s Daughter by Jane Gardam. They’re on my to-be-read pile, they look like great novels and, hey, they’re blue! If you need help finding any of these blue books, just ask your friendly librarians (or Julie) at the Everett Public Library!
by Laurence Sterne (1713-1768)
749 pgs. Everyman’s Library, 1991.
Originally published, 1759-1767
Many a reader and literary critic has commented on Laurence Sterne’s 18th Century novel The Life and Opinions of Tristram Shandy, Gentleman. So, I’ll defer to these many others, saying only that I had good fun reading this, especially the first two parts, in which the reader shares time with Tristram’s father and uncle Toby and their various hobby-horses.
OK, it hardly seems fair to such a delightful and unconventional book to leave it at that. Unlike Tristram, I wanted to make short work of this, but I guess I should at least outline the story and highlight some of the book’s most noted traits.
The main characters are Tristram’s father (Walter) and his uncle Toby, accompanied by an assortment of characters at Shandy hall. The main events in the story surround Tristram’s conception, his physician-bungled delivery, botched Christening, and further botched circumcision – all relayed with comic brio. Walter expounds with great flair on various and sundry subjects, and battle-wounded uncle Toby, along with his sidekick Corporal Trim, reenact the sieges they read about in the newspaper. The latter part of the book includes Tristram’s Grand Tour through Europe and ends with uncle Toby wooing his neighbor, the widow Wadman.
But these bare plot details in no way prepare you for the what awaits in Tristram’s telling of the story. So, let me say a little about that.
The story unfolds as a mashup of narrative styles, told out of chronological sequence, and filled with digressions and interruptions along with various appeals to the reader and other acts of authorial self-consciousness. The influence of Cervantes is notable as are Locke’s notions about the irrational association of ideas. Sterne leaves a variety of gaps in the text: using asterisks to replace words, blank spaces and even blank pages, and in one place he’s actually excised a chapter along with its associated page numbering. There are occasional drawings, and at one point Tristram diagrams the digressive paths taken in earlier parts of his book and promises (falsely) to be a more linear storyteller henceforward. The author’s Preface appears toward the end of volume I, and the Dedication to volume III comes mysteriously after Chapter XIX. It should be mentioned that Sterne’s narrative style was important to the development of psychological fiction, modernism, and even postmodernism.
Now you must be thinking this sounds like a book mostly interested in showboating and trickery, but it’s much more than that – this is deeply enjoyable reading, with warm and eccentric characters, interesting ideas and situations, and short chapters that most often propel the reader humorously along. Readers who have enjoyed Don Quixote should have fun with this as well. You could surely do worse than to while away some time in the company of Tristram and the brothers Shandy.
Every year I like to set some reading goals for myself; it’s about the closest thing I come to making New Year’s resolutions. This year I set out to read 75 books (I just barely made it!), start reading graphic novels, and start reading short story collections. I managed to do all three, and have compiled a list of my favorite short reads (graphic novel or otherwise).
Vampires in the Lemon Grove by Karen Russell. This haunting collection of short stories was probably my favorite surprise of 2014. I picked up the audio book because I was drawn to the cover. The stories in this collection range from science fiction to supernatural storytelling, almost always with a bittersweet, romantic undertone. I think fans of Neil Gaiman’s brand of writing would enjoy this book.
The Buddha in the Attic by Julie Otsuka. It might be a stretch to call this book a collection of short stories – it doesn’t unfold in the same way you’d expect such a collection to. Instead, it’s more of a mosaic of ‘micro stories,’ with each chapter piecing together the rapid-fire memories of countless women to create a picture of what it was like for Japanese mail-order brides to arrive in America, try to fit in, and live their lives. It was a wonderful listen as an audio book, but I’m sure it would be just as powerful if you were reading it on your own.
Saga, Volume 1 by Brian K. Vaughan, illustrated by Fiona Staples. This was one of the first graphic novels I’d ever read, and I took to it very quickly. Staples’s artistic style was lush and dramatic. It added a lot of visual interest to an already action-packed story of escape and forbidden love. The plot is a satisfying mix of fantasy and science fiction for readers whose tastes happen to straddle that line, as mine tend to.
Below you’ll find the list of books published this year that I most enjoyed.
Heartwood readers know that my main reading interest is older international literary fiction, but I also read new releases, as well as some non-fiction and poetry. Additionally, the old and the new come together when foreign books that were published years ago finally get their first (or a new) English translation.
What I most admire about the books below is what makes them so difficult to write about – their dexterous and creative way with words; their narrative idiosyncrasies, interiority, and perspicacity; the frequent interweaving of other cultural material (especially literature and art); a sense of place uniquely realized and expressed. These books offer fascinating, richly satisfying pleasures to the reader, but consternation to the list-maker who wishes to convey the essence of these reading experiences.
So rather than write my own capsule summaries, I’m simply listing the titles. But you can read summaries or brief reviews in the library catalog by clicking on the titles. For most of the books I’ve also linked to longer reviews from a variety of sources, and for two of them I’ve linked to reviews I did manage to write earlier this year.
I liked most everything I read that was published this year – a rare and happy situation –but these were the cream of the crop. If you like good writing I think you’ll find something here to enjoy.
Harlequin’s Millions (orig. pub. 1981)
by Bohumil Hrabal
trans. Stacey Knecht
Archipelago Books 312 pgs.
read more: Tweed’s, WaPo, Words without Borders
see also: Heartwood on Hrabal’s I Served the King of England
The Professor and the Siren (orig. pub. 1986)
by Guiseppe Tomasi di Lampedusa
trans. Stephen Twilley
New York Review Books 69 pgs.
read more: Complete Review, Paris Review
see also: Heartwood review of Tomasi di Lampedusa’s The Leopard
Unclassifiable Comic Book / Fiction / Non-Fiction Hybrid
Fantomas Versus the Multinational Vampires (orig. pub. 1975)
by Julio Cortázar
trans. David Kurnick
Semiotext(e) 87 pgs.
read more: Complete Review, MIT Press, Three Percent
see also: Heartwood review of Cortázar’s Hopscotch
A Place in the Country: On Gottfried Keller, Johann Peter Hebel, Robert Walser, and Others (orig. pub. 1998)
by W.G. Sebald
trans. Jo Catling
Random House 208 pgs.
read more: NY Times, The Spectator, LA Review of Books, Slate
Geek Sublime: The Beauty of Code, the Code of Beauty
by Vikram Chandra
Graywolf Press 236 pgs.
read more: NY Times, New Republic, Complete Review
Every month our fiction buyer scours the new fiction landscape and presents here a curated list of some of the most anticipated new releases based on advance review praise, publisher enthusiasm, library- and lit-crowd blogs, and other sources (some well below the radar).
Here are a few highlights from this month’s installment:
- Garth Stein, past Everett Reads author of The Art of Racing in the Rain, has a new novel out, A Sudden Light – a Puget Sound-set, coming-of-age ghost story.
- It Won’t Always Be This Great, Seinfeld writer Peter Mehlman’s first novel, came out in mid-September so this is cheating a bit (it just sounds too good to not highlight) – but take a look at the other stellar debuts too.
- The Zone of Interest, Martin Amis’s new holocaust novel is being called brilliant, audacious, and haunting, and it’s stirring up controversy in France and Germany.
- Among returning favorites you’ll find new books from Jane Smiley, Marilynne Robinson and Debbie Macomber, and from crime fiction stars John Grisham and John Sandford.
- Additionally in the mystery genre, Felix Francis really hits his stride in Damage, the latest in his continuation of his father’s horse-racing series.
Click the titles below and then the Full Display button to read summaries or reviews or to place titles on hold.
General Fiction / Literary Fiction
The Wallcreeper by Nell Zink
Murder at the Brightwell by Ashley Weaver
The Life We Bury by Allen Eskens
It Won’t Always Be This Great by Peter Mehlman
The Four Corners of Palermo by Giuseppe Di Piazza
Crime Fiction /Suspense
SF / Fantasy
To see all on-order fiction, click here.